Research On Artistic Characteristics And Inheritance Of Kunming Chenggong Paper Horse

Kunming Chenggong paper horse,is the local folk custom of Chenggong to pray for the blessing of the disaster,sacrifices to God,the moon god and the kitchen god,and other gods with the use of the image of the carved prints of god Buddha,in the classification of art works is a big class of wood edition.As a special art form in local life,Chenggong paper horse is also a precious heritage of local folk art.The historical origin of the Chenggong paper horse is considered by the academic circles to be introduced into Nanjing by a large number of Han people in the Ming Dynasty.In the process of subsequent inheritance and development,the local culture of Yunnan was integrated into the unique Chenggong horse.In recent years,with the development of social economy and the upgrading of folk arts and crafts,the Chenggong paper horse has been transformed from manual engraved printing to computer engraving and machine printing.The traditional engraving technology inheritors have been difficult to find,and the audience of the paper horse is also concentrated in the older generation.The art and cultural heritage of Chenggong paper horse is in danger of being even endangered.Therefore,the protection and inheritance of Chenggong paper horse art has become a top priority for the protection and inheritance of local folk art and folk culture.Based on the literature review,this study conducted field research on the paper artists in Chenggong paper horses,sales markets,and inheritance.It collected a large amount of first-hand valuable materials such as objects and pictures;it used arts,folklore and design.The relevant theoretical knowledge,combined with the research results of other scholars,from the perspective of Kunming Chenggong Paper Horse’s artistic characteristics and inheritance,studied its historical development,current status,types,artistic characteristics,and inheritance and innovation.First,on the basis of literature review,the paper summarizes the historical development of Chenggong paper horses;through the field investigation,it summarizes the status quo of Chenggong paper horses.Based on the analysis and comparison of the data,information and pictures of Chenggong paper horses obtained from field research,it was found that Yunnan paper horses and Jiangsu paper horses have great similarities in composition,lines and images,showing that they are homologous.Sex;provided paper for Chenggong from Jiangsu provided support.On the basis of the above research,from the use of paper horses,Chenggong paper horses are classified into paste,incineration and other types of paper and horses;and their functions and folk customs are explained.Summarizes the production process and flow of Chenggong paper horses.In ancient times,due to subjective and objective constraints,the Chenggong paper and horse designs produced are characterized by rough and unadorned lines,full and harmonious composition,and exaggerated boldness.Papers and papers of Chenggong were compared with Wuxi and Neiqiu paper horses,and their artistic characteristics were summarized from the perspective of generality and individuality;based on the artistic features of Chenggong paper horses,the cultural spatial structure was used as the creative method,and the art design was The media has designed two works that integrate the Chenggong paper horse’s artistic features,and has explored a new path forthe inheritance and innovation of paper and horse art in Chenggong.Through the above-mentioned research,we hope to make a contribution to the protection,inheritance,and dissemination of paper and horse art in Chenggong,Kunming.