Analysis And Enlightenment Of The Characteristics Of Visual Language In Paper - Cutting

Chinese traditional paper-cut art is deeplyrooted in the rich cultural soil, is one of theforms of Chinese traditional culture and aestheticsense of the most representative. The paper-cutartist Ku Shulan created paper-cut is one of theoutstanding and special paper cutting style. Herpaper-cut patterns of traditional modelingprinciple and aesthetic sense of tradition, and onthe basis of innovation into their own personalized,the traditional paper-cut opens up a new field. Inemphasizing the localization and nationalization ofmore and more today, ideas and methods Chinesetraditional art tradition and innovation, this isworth us to study and learn. At the same time, inthe context of globalization and diversification ofthe background of the development of world design,as a graphic designer China not only need to drawnourishment from the tradition, but also need tofind new methods to create a more modern designwith the characteristics of the times. In thispaper, a new graphic Ku Shulan as research object,characteristics of the visual language to carry onresearch and analysis of the graphics from theaesthetic shape and form of the modern plane designart’s point of view, and use the modern planedesign rule according to his own practice to try a new graphic design, in order to make Ku Shulanpaper-cut graphics can be used to the modern designbrings some reference, and presents the designconsiderations and his design idea.