A Study On The Collective Memory Construction Of Chinese Film "Iron Rice Bowl" In The New Century

Nowadays,the cognition and memory of the "iron rice bowl" are influenced by many factors,and the film and television works play an important role in the construction of the social collective memory of the "iron rice bowl".With the vigorous development of the film and television industry,the status of film and television works in people's lives is becoming more and more important.The influence of film and television works on the construction of social memory is more and more important.In the construction of a collective memory,the film and television works have a great relationship with the collective memory constructed by the real life.They are integrated,mutually restricted and influenced by each other.This puts forward new requirements for film and television works in constructing social memory and how the public should face up to some social memory.This article is mainly divided into five parts,trying to analyze the collective memory of the "iron rice bowl" in Chinese films since the new century,and analyze how the film is the collective memory of how to construct the "iron rice bowl",and what characteristics have appeared in the process of construction,and then analyze the reasons for this state of development.Rethinking and looking forward to the development of the film industry.The first section,the first chapter,is the introduction part of this article,which includes the purpose and significance of the research,the current research status of collective memory and the main part of the concept,as well as the introduction of the research content and research methods of this paper.The second part is the second chapter of the paper.The core idea is that the iron rice bowl is a unique historical phenomenon in the particular historical period of the new China.It is also a special theme of the Chinese movie or the film element.After the new century,the movie threads related to the "iron rice bowl" further illustrate the important value and significance of new China movies in constructing the collective memory of iron rice bowl.The third part is the third chapter of the article.After the analysis of several films,the paper finds out how the "iron rice bowl" is presented in the new century,and then it is found that in the new century,the "iron rice bowl" shows many angles and pluralism in the film of our country.This presentation is generally divided into three ways:one is the related imagination of the "iron rice bowl",and the performance of the other is a great pursuit of the "iron rice bowl" in general;the two is the related feelings of "the body in it" to the "iron rice bowl" mentioned in the article,which is the direct experience.Forget the mood;three is the "iron rice bowl" has been broken,the overall embodiment of turbulence,unease,and anxiety situation,leaving more than a "parting pain".The fourth part,the fourth chapter of the article,is mainly based on the analysis of the characteristics of the "iron rice bowl" in the Chinese films since the new century.The main manifestation is:the first is the difference in narrative function,that is,the role of the "iron rice bowl" in the film narrative;two is the diversification of the style,that is,when shaping the image of the "iron rice bowl",the recording style of the film coexists with the exaggeration,and the three is that the microview of the expression way is generally used in the film.The micro narrative shows the grand era.The fifth part is the fifth chapter and the concluding part of the article.Through the analysis of the previous films and the induction and summary of its characteristics and contents,the author rethinks the author's Rethinking on the collective memory of the"iron rice bowl" in the new century,which is the cause analysis of the related content described above,and then it is triggered.The thinking and Prospect of the development of film and television industry.