A Study On The Group Of Erhu Players In Southern Jiangsu

Southern Jiangsu Province refers to the south of Jiangsu Province,also known as the "Taihu Lake" region.As a traditional Chinese solo instrumental music,its development context and the influence of the times synchronized with the modern Chinese history.The development and prosperity of Erhu instrument are closely related to the people and things in this area of southern Jiangsu.In recent years,academic circles put forward the concept of "southern Jiangsu phenomenon" in Erhu art.This cultural phenomenon runs through the development of modern erhu,so the study of Erhu players in southern Jiangsu should not be ignored.Base on the methods of musicology research,that is,music history,ethnomusicology,music sociology and other methods,the author will explain the various aspects of the Erhu players group in southern Jiangsu in detail.Five chapters in this paper will explores this group:Chapter 1.Taking Erhu,a national instrumental music rising in modern times,as the starting point and taking the southern Jiangsu region as the background,the erhu players conceived in the southern part of Jiangsu were placed in the background of the southern Jiangsu culture.Starting from the cultural phenomenon,the author applies the research method of the sociology of music,through the excavation and arrangement of the historical books and records of the past materials and the control of the trend of the current cultural trend of thought,this paper studies the relationship between the geographical environment of this area,the communication among performers,the distribution of population and the religious belief and cultural customs in southern Jiangsu.Secondly,the composition and characteristics of the group and this growth work in the life of Erhu players in southern Jiangsu were summarized,and the group characteristics of this group were explained in detail.Chapter two,from the aspects of kinship,geography,blood relationship of the succession of the group,carry out a detailed arrangement of modern and modern Southern Jiangsu erhu performers of the pedigree of the relationship,summarize the way of group inheritance and restore the integrity of this group.Chapter one and two summarizes the pulse system and social environment of the whole group of Erhu players in southern Jiangsu Province.Chapter three and four are thefoundation of group creation and performance.Chapter three starting from the music creation of these erhu performers,music creation not only includes the creation of erhu works,but also the creation of other forms of music and the compilation of music textbooks.The group creation of the Erhu performers in southern Jiangsu is the epitome of the development of art and culture in southern Jiangsu.Chapter one takes the time as the dimension,detailed analyze creation style,the subject matter,and the genre this group,and aimed at more comprehensive cognition of the thought of the entire south Jiangsu erhu performer group..Chapter four starts from the performance skills of Southern Jiangsu erhu players.The object of this study is erhu players,specifically,the life of these erhu players as well as their music creation,performance and teaching.The author tries hard to combine the modern erhu playing technique innovation with the music work innovation,the erhu education idea innovation,the display erhu performance skill innovation and the performance thought innovation.It presents many aspects of the development and innovation of Erhu art in south Jiangsu.Chapter three and four classify and summarize the creation and performance of the group,from the introduction of cultural phenomena to the interpretation of musical style,and from the outside to the inside,which is the theoretical basis of the development of Chapter five.Based on the features of "run-cavity" in the Erhu works of Southern Jiangsu Province,the musical style of Erhu works in Southern Jiangsu Province is summarized and analyzed.This paper deeply describes the application of "run-cavity",a traditional Chinese music creation technique,in the works of Erhu in southern Jiangsu,and sums up the factors that affect the "run-cavity" in the works of Erhu in Southern Jiangsu.From the aspects of music creation and music playing,there is a more comprehensive and in-depth exploration of the music style of South Jiangsu.Through the demonstration of ive chapters,one will have certain cognition to erhu talented person’s training rule and the experience in this region.The author hopes that the case study of erhu musical instrument,will play the practical guiding role of the inheritance of the entire traditional instrumental music.