The Research Of Liu Yin’s Literary And Artistic Thought

Liu Yin was a famous Neo-Confucian and poet in the early Yuan dynasty,which wrote rich poems in his life.Under the background of the Neo-Confucianism flow into literature in the Yuan dynasty,Liu Yin,as an accomplished Neo-confucian,was devoted to the art form of poetry and calligraphy painting.However,the academic circles pay more attention to his literary achievements.His artistic view of painting and calligraphy has been neglected.Thus,a systematic and in-depth study is lacking.In fact,There is a lot of poems on painting,painting and calligraphy inscription,and cover sequence of painting and calligraphy in Liu Yin collection of poetry and essays.These data reflect Liu Yin’s theory of calligraphy and painting art,including the idea of creation and aesthetic purport.It is a useful supplement to his poetics,Therefore,it should be regarded as an organic part of Liu Yin’s literary and artistic thought.It’s worth mentioning that Liu Yin often integrates his academic spirit into the appreciation and criticism of calligraphy and painting.His literary and artistic ideas are very distinctive.It is different from the Neo-Confucian about the idea of ignoring literature and art in the Song dynasty.Liu Yin’s literary and artistic views reflect the dual characteristics of Neo-Confucian and literati.Of course,this is also the characteristic of his poetics.Because Liu Yin is a scholar and literati,his Neo-Confucianism is inevitably permeated into the process of literary creation and criticism.Even at some point,it was intentional.Therefore,this paper introduces Liu Yin’s academic origin and the thought of Neo-Confucianism before discussing Liu Yin’s the theory of poetics and painting.Liu Yin’s family education and teaching,the academic origin of both north and south and the academic spirit of "comprehensive and accessible" were analysised.Also discussing his inheritance and new changes in important scientific propositions such as the theory of "Tian Li" and "Qi".These are the main contents of the chapter one.Liu Yin was one of the important poets in the Yuan dynasty.Everyone who talks about the Yuan dynasty poetry will talk about him from the Yuan dynasty and Ming dynasty to today.The academic spirit of "comprehensive and accessible" penetrates into Liu Yin’s poetics.He formed the poetical orientation of "take advantage of others and get rid of the stale and bring forth the fresh".In his poetry creation practice also inherited this idea.Liu Yin admired and studied Li Bai and Du Fu’s poems,and also inherited Li He’s poetic style in his early years.Because of his state of mind enter the nature indifferent,Tao Yuanming’s personality and poetic style became the object of his admiration.Lin Yin indited a lot of poems that are Collected Poetry in Reply to Tao Yuanming in the his later years.Of course,Lin Yin’s learning object is anything but that.The poetics which is learned from many people makes its the style of poetry rich and diverse.It also made him an important place in poetry of the Yuan dynasty.These are the main contents of the chapter two.The third paragraph focuses on Liu Yin’s painting poems and calligraphy and painting theory.His poems have both strong Confucian feelings and deep hidden complex.The heroic and vigorous aesthetic pursuit advocated by the northern literary circles in the early yuan dynasty is also reflected in the painting poems.This is not only a reflection of the scholar’s elegance,but also the theoretical perspective and appreciation characteristics of Liu Yin’s paintings.Liu Yin also examined the art of painting from the perspective of the scholar and the literati,not only put forward the creation thought of the form god,but also formed the critical paradigm of character,emphasizing the painting function of the lower learning.In the aspect of calligraphy,he advocated the principle of "six books" and "six books",which showed a strong tendency of restoring ancient ways.Some of Liu Yin’s literary ideas are not aimed at a literary form,but rather on the higher level of thinking to think about the noumenal and functional significance of literary art.What is valuable is that he recognized and retained the value and status of the study of "the art of recreation" at thesame time.Moreover,his theory of poetics and calligraphy and painting has many similarities,such as the creation thought of multiple inheritance.Therefore,the last chapter discusses Liu Yin’s literary thoughts.All in all,this paper discussed Liu Yin’s academic spirit,on the basis of financing his poetics thought and the calligraphy and painting theory,and the integrated concept of literature and art,in order to break the existing branch and rule of research methods,under the comprehensive perspective Liu Yin’s in-depth interpretation of literary thought.