Study On Communication And Related Problem Of Canglang Shihua In Northern American Sinology

Yan Yu is a critic of poetry theory in the Southern Song Dynasty of China.His poetics mainly included in Canglangshihua.It is an influential but controversial poetry.In twentieth Century,it was translated into the North American Sinology through the translation of Zhang Pengchun and Chen Ruishan.It was gradually paid attention.The main reasearchers have Liu Ruoyu,Lin Lizhang,Ye Weilian,Ye Jiaying and Stephen Owen.First of all,Canglangshihua's local research and foreign transmission.On twentieth Century,the local research results have been very rich.The main forms are thesis,monographs,the history of Chinese literature,the history of poetry and the history of aesthetics.During this period,Liu Kaiqu's Yan Canglang's theory of art is the first thesis.Until 1961,Guo Shaoyu published Canglang poetry Released interpretated,a research climax.On twenty-first Century,Canglangshihua master thesis appeared in the University,and extended to the field of foreign.The translation of Zhang Pengchun and Chen Ruishan played a vital role.They considered America acceptable context,respectively wrote Canglangshihua.They are the first English translation and only complete translation,which laid the foundation for the study of North American sinology.Second,the study of the basic category of Yan Yu's poetry in the North American Sinology.They mainly study on the categories of Yan Yu's poetry on poetry and Zen,poetry and enlightenment,poetry and spirit,material and interest.In terms of poetry and Zen,they advocate poetry,Zen,metaphor,poetry,Zen and intercourse.They believe that Zen poetry is a metaphor,because poetry is similar to Zen,and Yan Yu is an outsider of Zen.In the poem and the enlightenment,they advocated poetry intuition and emotional experience.They think Epiphany is an art,a kind of emotional experience.Inthe poem and the material interest,they discussed poetry theory and poetry material elegant sense said that Yan Yu's Poetics of material implies a genius implication,interest can be achieved by a sense of action.In the poem with spirit,they explored the theory of nature and poetry and muse,which think superb on nature,and nature is to be made one poet.Furthermore,the study of comparative poetics in the Sinology of North America.Liu Ruoyu discussed the relationship between Yan Yu's poetry theory and the scene theory and the divine theory,and put forward that they all advocated the spirit of poem and the pursuit of inspiration poetry.Lin Lizhang focuses on the relationship between Yan Yu poetics and verve,in scholarship and orthodox poetry,Wang Shizhen expanded the Yan Yu poetics advocated both scholarship and respected Wang Wei poetry.Ye Jiaying discusses the relationship between interest and charm and state,that the three are emphasizing xingfagandong,just interest personnel,verve and personnel and nature,both are relatively dense.Realm is more practical.Stephenowen discusses Yan Yu poetics and sublime relationship.Yan Yu and Ron Gio Noons,Schiller is nostalgia.Yan Yu's attention to geli,but the western detective fiction text.Finally,the study of the North American Sinology was limited.They interpret Yan Yu's poetry in a microscopic,rather than a macro perspective.Neglect of Yan Yu's poetics contains philosophical poetry and thinking of the way out of the song dynasty.The content needs to be improved,a comparative study of Canglangshihua of North American sinology.They compared the similarities and differences of the poetry of Yan Yu,Wang Fuzhi,Wang Shizhen and Wang Guowei,and they only using western similar practices to explain the poetry of Yan Yu.