The "Prairie" In The City

In recent years,the theme of "folk style" has been increasingly popular among the public.Among them,"prairie song",with its distinctive prairie theme and Mongolian music style,has become the most attractive song type of "national style".With the popularity of songs,more and more people begin to pay attention to and identify this form of music.It not only meets the enjoyment of people's hearing,but also promotes the economic,political and cultural development of Inner Mongolia area,and becomes the important source of music culture in people's music life.The mission of the "prairie song" is no longer a "song" in a simple sense.It is not only a cultural symbol for foreign publicity,but also a musical commodity to create economic benefits,and the meaning of "grassland song" is the subject of "man".This paper will turn the research perspective to the ordinary people who accept and use the "grassland song",and put the "prairie songs" and their audiences in the contemporary social and cultural background,and investigate the "grassland song" from three aspects of people's cognition,behavior and attitude.The full text is composed of five parts: the introduction,the first chapter of the "grassland song" audience investigation and analysis,the second chapter "grassland song" of the multiple existence space and meaning construction,the third chapter "grassland song" and "Grassland" imagination,conclusion.In the introduction,the main part of the introduction is to make a brief description of the original intention,research status,research methods and research difficulties,and make a prophase explanation of the survey of the audience of the "grassland song" in Hohhot.The first chapter focuses on the audience's listening standards and conceptual cognition.First,based on the result of the questionnaire survey of the "grassland song" in Hohhot,this paper analyzes the common characteristics of the people in the area when they listen to the "grassland song".Secondly,through the recognition of the "prairie song",we then analyze the cognitive experience of "first have" when people recognize the "prairie song".The second chapter examines the cultural significance of "prairie songs" in the process of interaction with human beings based on the holistic view of "Song human society".It is also divided into three parts: "prairie songs" in entertainment space,"prairie songs" as music products,and "grassland songs" and identity.That is to say,through different functional purposes and behaviors in different contexts,this paper expounds the cultural value of "prairie songs" endowed in the process of listening and using.The third chapter,through the two research perspectives of "local view" and "Bureau appearance",investigates the audience groups of "grassland songs" with different positions,and reflects the development path and predicament of the "grassland song".Finally,through the investigation of all kinds of audience levels,this paper summarizes and summarizes the multicultural space and significance given by the contemporary people when the "prairie" is divorced from the "primary" environment.