Ecological Aesthetic Research Of Wa Wood Drum Dance

The Wa people mainly live in the southwest of Yunnan Province in China and the border zone between the north of Burma and China,and are also distributed in Kampuchea,Laos and Thailand.This article mainly focuses on the Wa people living in Yunnan as the research object,and analyzes the ecological aesthetic concept in the wood drum dance.The Wa nationality has rich historical and cultural deposits,and various kinds of ethnic art.Wooden drum dance is a typical art.The wooden drum is a symbol of the Wa people.It is one of the core characteristics of the wa culture.It reflects the basic concept of the Wa People's spirit,life and the world.Its primitive,simple,rough and mysterious cultural connotations are very rich.The wooden drum inspired by the grand ceremony of the Wa People's drums not only has the functions of offering sacrifices to the gods,festivals,folk customs,national cultural symbols and national art,but also has the social function of gathering the historical memory of the Wa nationality,inheriting the national culture and customs,and strengthening the identity of the ethnic groups.The culture of wood culture in the Wa nationality shows the ecological idea of equality between man and nature.Further exploration of it can serve as a reference for China's construction of ecological civilization.The Wa nationality is a nation with rich natural religious culture and unique regional environment culture.It is the cultural background that makes the wood inspiring of the Wa nationality unique style and aesthetic culture.Guided by the theory of ecological aesthetics,this paper analyzes the ecological aesthetics contained in the culture of Wa nationality through the form and external style of the wooden drum dance of the Wa nationality.This article is divided into four parts: the causes of the ecological aesthetic concept of the wa wood drum dance,the ecological beauty of the wa wood inspiration,the ecological beauty of the wa wood inspiration and the transformation of the value of the ecological beauty of the wa wood drum.The thesis will focus on the second,third part.In the chapter of the ecological beauty consciousness of the wa wood drum dance,the author discusses the religious belief,social life and the wooden drum dance in the ethnic culture through the three aesthetic paradigms of the beauty of birth,the beauty of competition and the beauty of symbiosis.In the third chapter,the author discusses the wood inspiring of the Wa Nationality from the three aspects of sacrifice,life and art.In the end,the Wa ethnic group is an ecologic circle of aesthetic activities,which has its own cultural value and the development of the ecological tourism industry.The analysis of the ecological aesthetic view of the Wa People's wood encouragement is reflected on the subject construction and the new interpretation of the ethnic culture of the Wa Nationality from the angle of ecological aesthetics,which plays a certain theoretical support for the construction of the Chinese minority resources in the history of aesthetics.At the same time,it is not only a theoretical discussion on the ecological aesthetics of the related literature of the Wa nationality,but also an ecological beauty.On the other hand,on the other hand,the wood inspiring of the Wa nationality is an ecological aesthetic view,which plays a guiding role in the development of the tourism industry of the Wa nationality.In the process of globalization and modernization,the wood drum dance is also faced with the crisis of degradation and loss,and it is necessary to further strengthen the protection and inheritance of the wood drum dance.This article discusses the ecological aesthetic view of the Wa people,hoping to play a positive role in the protection and inheritance of the wa drum culture and the construction of the ecological civilization in China.