Research On The Art Of Twenty-eight Mansions Paintde Sculpture In Jincheng Yuhuang Temple

The art of color sculptures discussed in this paper mainly refers to the color sculptures of temples that stand under the temple of the palace and serve the worship of believers.Scholars generally believe that the art of color sculptures of temples in China showed a tendency of decline after the Ming and Qing dynasties.Although several monasteries were built in the Ming Dynasty,more of them were made up of the works of the previous dynasties,and it was difficult to conceal the trend of conformability in form.Although the style of statues in various places has not diminished since modern times,the color sculptures of temples or deliberately imitating the styles of the previous dynasties are lacking in the spirit of innovation;Or stylized in the stylized way,although the structure is accurate,it is not enough to move the people.With the changes of the times,coupled with natural disasters,social changes and other factors,a large number of palace clay statues have not been preserved.Therefore,In this context,it is particularly important to study the color sculptures of the traditional temples that have been preserved.There is a very high artistic standard in the 28 night color sculptures of the Jade Emperor Temple in Jincheng,both from the ideological level and from the level of molding.It is an excellent example of research.This paper takes 28 houses of the Jade Emperor Temple in Jincheng as the research object,according to the historical and cultural background of the 28 houses of the statue,combined with the understanding of the historical literature to influence the related concepts of the28 residence statue,and investigates the basic status of the statue.This paper explores the religious ritual of the statue,studies the artistic style and aesthetic charm of the statue,and reveals the value of all aspects of the 28 night color sculpture in an all-round way,which provides the basis for the protection of the color sculpture art.This paper is divided into three parts,the first part is the introduction,the reason and significance of this topic,research content and purpose,research innovation points and methods,the definition of relevant concepts,The second part is the text of the article,based on the numerous and detailedfield visits to the Jade Emperor Temple in Jincheng,from the shape of 28 night color sculptures,From the point of view of art and other aspects,we can fully understand the unique significance of color sculpture in its modeling and its aesthetic charm.The text is divided into six chapters: the first chapter focuses on the origin of the study of 28 nights.The second chapter analyzes the works of art from the aspects of modeling,color,metaphor,function and so on,and carries on the data measurement to the color sculpture on the basis of the image data.From the concrete data facts,to carry on the general summary and the theory summary;the third chapter carries on the analysis to the color sculpture mold craft inheritance way,The formation of color sculpture art style can not rule out the artistic personality of the creators and the factors of production skills,under the influence of many factors,the unique image style can be derived.In Chapter 4th,the author analyzes the differences between the two from four aspects: the subject matter,the ritual,the function and the style of the images.The author analyzes the similarities and differences between the two from four aspects: the theme,the ritual,the function and the style of the images.The 5th chapter mainly combines the artistic characteristics of the 28 night color sculpture from the whole angle to explain the ideological connotation and aesthetic concept contained in the28 night statue;Chapter 6th focuses on the local contribution and heritage value of the 28 statues of the Yuhuang Temple.The ancient craftsmen have accumulated many valuable experiences in their long-term artistic practice and conducted in-depth research on 28 colored statues.Its significance lies in summing up the past of the color sculptures of Chinese temples and serving as a reference for future sculpture creation.The third part is the conclusion of the thesis.It is mainly a summary of the central contents and research results of this paper as a whole.Due to the differences in history and culture,the 28 night colored statues in Zezhou are naturally different from those of temples in Qilu,Wuyue and other cultures.He has his own characteristics.It is of great significance to study the characteristics of regional culture,whether from the understanding of history,or for the current sculpture art.