A Study On Singing Characteristics Of Classical Chinese Poetry Art Song In The Twentieth Century

The research object of this paper is the singing characteristics of classical Chinese poetry art song in the twentieth century.According to a lot relating literature and works,the source of art songs from the perspective of musical historiography is traced on the basis of musical correlation theory.Besides,the emergence and development of Chinese art song are presented and the birth and background of classical Chinese poetry art song are proposed through contrastive analysis.The creation and connotation of classical Chinese poetry art song are studied by utilizing literature relevant knowledge of classical Chinese poetry.Moreover,the singing characteristics of classical Chinese poetry art song in the twentieth century from the perspective of combining theory with practice are analyzed.This paper regards the elucidation of music morphology,the analysis of singing and the summary of theories.Finally,the artistic values of music and abundant national culture connotation of classical Chinese poetry art song in the twentieth century are demonstrated.This paper goes on from the five aspects as following:The first chapter is the origin of the art song.To start with,the demarcation of the art song should be conducted mainly due to the fact that the concrete concept of the art song in the educational circles is still in a more vague and unambiguous definition.Consequently,the concept elaboration of the art song in several different music reference books and music encyclopedias is summarized.Meanwhile,based on the characteristics of the art song:(1)Lyrics are mostly relied on poems;(2)Poetry and melody are viewed as an integrated whole;(3)Accompaniment plays a noticeable part that can not be neglected;(4)Works often appear far-reaching in artistic conception and the requirements for performance are also rigorous and standard;(5)Performance is proceeded mostly in a concert or an indoor.These five characteristics make a recapitulative description of the features of art song from creation to singing places.At the same time,it is elaborated that the art songs should change with the characteristics of the times and follow certain rules and regulations.Moreover,the important elements of art song including poetry,music and accompaniment are discussed in the paper singly.In this chapter,the development of art song in different countries according to the division of European art song and Chinese art song is illustrated and streamlined.The second chapter is the development history of classical Chinese poetry art song.Start from the pre-Qin period,and then turn introduces the development of classical Chinese poetry art song in the Tang,Song,Yuan,Ming,Qing and the twentieth century(national exploration period,transition period and multiple development period),classical Chinese poetry art song is defined and produced.The historical development of classical Chinese poetry art song is studied through the classification of ancient poetry and art song.The subordinate relationship between classical Chinese poetry art song and Chinese art song is proposed for the definition of classical Chinese poetry art song.The paper use comparison dissects several aspects that the unique characteristic of classical Chinese poetry art song contain at present,defines ancient poetry art song in a generalized and narrow sense.Additionally,the musical form of classical Chinese poetry art song is analyzed and investigated by apply musical morphological analysis.Through the way of exemplification,the concrete form of classical Chinese poetry art song in creation and singing is narrated and described,which leads to the unique and important part of classical Chinese poetry art song--poetry.Poetry is the soul of classical Chinese poetry art song.This section focuses on the significant of poetry to classical Chinese poetry art song,and briefly summarizes the development of poetry.In the second and third sections of this part,the development and formation of Chinese art song and classical Chinese poetry art song are discussed in a generalized sense by using the time venation as a starting point.It is emphasized that the development of classical Chinese poetry art song in the twentieth century is the main object of this paper.From the perspective of historical background,the environmental factors the composers and other angles,the development of classical Chinese poetry art song based on the western composition techniques in this period is comprehensively analyzed.The third chapter is the singing of classical Chinese poetry art song.As the main part of this paper,classical Chinese poetry art song from the specific singing skills is studied.Specifically,the classical Chinese poetry art song in twentieth century is analyzed and investigated through singing methods and techniques(application of articulation,sing according to the words,and run-cavity).In this part,the singing style of classical Chinese poetry art song is sought through the research of singing techniques.In addition,profound and detailed study is carried on to accurate grasp the singing style and features of classical Chinese poetry art song and list a certain number of examples.From the actual point of view,the singing style and skills of the art works are analyzed in detail and a comprehensive summary of the preparatory work needed in the singer's singing is made.The fourth chapter is the singing feature of classical Chinese poetry art song in twentieth Century.This chapter mainly studies national and times characteristics in accordance with the influence of classical Chinese poetry.By analyzing the environment,the background and other factors,the singing styles of classical Chinese poetry art song is classified,which including archaic rhyme and ancient melodies,archaic rhyme and new melodies,new rhyme and new melodies.Furthermore,singingmethods and characteristics of classical Chinese poetry art song are explored in these three categories.The fifth chapter is the realistic value of classical Chinese poetry art song.This part is divided into the social value and educational value of classical poetry art song.On the aspect of social value,the cultural factors behind the development of classical Chinese poetry art song are analyzed.The driving effect of classical Chinese poetry art song on Chinese music culture and art from the perspective of art and culture is explained.It is obvious that classical Chinese poetry art song plays an imperceptibly important role in promoting the cultural accomplishment of the singer and improving his music accomplishment.Inapplicability is senseless and so does the classical Chinese poetry art song.Therefore,from the perspective of historical development and social progress,the significance of music workers in colleges and universities to inherit and carry forward classical Chinese poetry art song in the teaching and application of classical poetry art song is discussed.From the overall point of view,the educational work of classical Chinese poetry art song is deeply rooted in the hearts of the Chinese people for the development of Chinese culture.Moreover,the education of poetry art song plays a significant role in fostering national pride and flourishing Chinese music and culture.At the same time,classical Chinese poetry art song has become an international business card for our foreign exchange and strengthen our cultural and path confidence.In conclusion,aiming to better display the practical significance of this paper,classical Chinese poetry art song should be concretely studied and utilized in practice for the booming development of China's cultural undertakings and contribution to cultural construction.