| From ancient times until now,setting off fireworks has been a popular and highly engaged folk activity among the people.Under the background of modernization and urbanization,the development of fireworks presents two different situations.On the one hand,the modern pyrotechnics industry,which represents the modern science and technology,is developing vigorously.Its production and performance technology are constantly improving,and gradually become market-oriented,scientific and refined;Represented by traditional craftsmanship,on the other hand,the traditional fireworks living conditions is very difficult,The difficulty in finding materials and transmitters for fireworks adding the loss of market give the traditional the craftsmanship a devastating blow.Since UNESCO promulgated the convention on the protection of intangible cultural heritage in 2003,China has gradually promulgated various documents for the protection of intangible cultural heritage since 2004.With the deepening of the cultural census,many types of traditional fireworks have been gradually discovered,but in general,they have declined,either with the loss of skills or improvements.There are also many problems in the research and protection of intangible cultural heritage of traditional pyrotechnics.In terms of traditional pyrotechnics protection,the specific protection work progress is slow,lead to traditional fireworks appeared "museum" protection mode,therefore,we explore the living condition of practical protection measures is necessary.In traditional fireworks research,the overall research is still in its infancy,we need to research the product techniques,heritage,cultural value and explore traditional fireworks art,ethnology,aesthetics and so on various aspects of value.The product names,production,discharge methods and customs of traditionalfireworks vary due to regional differences,which cannot be detailed in detail.From the perspective of current research and protection of fireworks,the key protection measures are similar to other types of craftsmanship technique and transmitters are still the focus.However,The unique characteristics of the craftsmanship and its relationship with local natural and cultural environment are not taking into consideration.What's more,the interactive connection between fireworks and its existing field domain has not been discovered.Therefore,the lack of research and protection leads to the dilemma in the development of fireworks.Pyrotechnic rack is one of the more distinctive forms of traditional fireworks.It is a comprehensive folk art of paper binding,bamboo weaving,color painting,clay sculpture,fireworks,shadow,sound and light,etc.and is of great research value.Gao's pyrotechnic rack is a form of fireworks product with unique local cultural characteristics in southwest China.Current research to the craftsmanship is still at a primary stage and in a slow pace Therefore,the thesis takes the local cultural field as the perspective,and selects the traditional fireworks form as the research type,which is studied by Yongchuan Gao's pyrotechnic rack as the specific research object.The author takes traditional craftsmanship protection as a starting point,the connection between pyrotechnic rack and local cultural field as the angle of view,the Yongchuan Gao's pyrotechnic rack as the research object,uses the methodolgy of fieldwork in anthropology to study skill of the producing fireworks and the process of its performance.the thesis explains how the local characteristics,such as natural environment,history and humanity are reflected in the craftsmanship.The reasons of the dilemma in its transmission and development are also analyzed in order to look for protection ideas and measures for the producing,performing,developing and transmitting of Gao's pyrotechnic rack?... |
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