Research On Subjective Color Of Movie And Television Animation

As one of main categories of movie and television art,the animation covers the painting,design,plane,aesthetics and other creation forms as well in addition to the audio and visual features of common real movies.The difference with real movies is that figures and scenes in animation scripts need to be processed artistically or created artificially instead of diverting things in real life into lens directly.The two-dimensional animation,three-dimensional animation and material animation describe stories for audiences through the virtual scene design and figure performance.Then,the color,form,light and shadow,space and other model elements become important means expressing pictures in scripts.Meanwhile,the color is shown as an intuitive visual image in animation art,and it cannot be neglected from the aesthetic feeling of picture,emotion,spirit and other aspects.Mainly aiming at the color subjectivity,this paper finds out differences between subjective color and general colors,proves that the picture effect,psychological effect and artistic conception generated in animation enable animation narration to become richer and clearer,and expresses its philosophical meaning in an effective color method.Taking this as the penetration point,the rigorous analysis and consideration are carried out under supports of theories and examples.This paper is divided into seven parts altogether.Chapter one is Introduction.It briefly introduces the status for domestic and foreign researches on subjective color,summarizes the evolvement process of subjective color in painting from ancient times to the present,and gives a clear overview about the object,purpose and significance of research.Chapter two gives explanation on the concept of subjective color in animation.It mainly discusses the differences between subjective color and objective color.Then,a research on its creation rules and methods is carried out from simple to profound.Chapter three,chapter four and chapter five are main chapters of this paper.Aiming at roles and communication effects of subjective color in different structures,the analysis on subjective color of animation is carried out from whole to parts.Part one is about the prominent overall style and partial montage effect of subjective color in plot structure of animation.In part two,the personal character shaping,emotional fluctuation and state change,etc.caused by subjective colors of animation characters are researched.In part three,aiming at the artistic conception expression of subjective color in animation scene(especially the fantasy style),the application of subjective color seems to be mixed and disorderly,while it is perfectly reasonable.It is the best performance for the psychological effect full of hints,exaggerated coloring and irregular feature of subjective color.There are many similarities between special expression of subjective color and figures of speech in literature in describing thoughts and feelings of people,circumstance explanation and atmosphere foil.At last,the paper provides a new thinking angle through the metaphor design for philosophical thought of subjective color in animation so as to enable contents conveyed by animation to be narrative and philosophical.