Research On Cultural Space Of Performing Arts In Shanghai Based On Spatial Production Theory

Performing art is an indispensable form of artistic performance in the development of modern culture,and it has historical inheritance.The Performing arts industry is an important part of the cultural industry and occupies an important position in the cultural market.The cultural space of performing Arts is the foundation of carrying out the development of performing arts culture and the essential material foundation of modernization construction.“Culture is the soul and foundation of city construction,and it is the core factor to enhance the attraction,competitiveness,influence and soft power of city.”Shanghai has been in the forefront of Chinese cities in cultural development,and the goal of Shanghai's urban construction in 21 st century is to build an international cultural metropolis.In 2017,Shanghai in the “on the promotion of cultural and creative industry innovation and development of a number of views”put forward to create “Asian performing Arts”,to encourage the promotion of creative performance,optimize the layout of performing arts facilities and cultivate excellent performing arts market subjects.The global city of New York,London and other cities are not a highly developed culture,and the prosperity of the performing arts culture to bring unlimited vitality to the city.Shanghai's development strategy proposes to build the “Asian performing capital”while building a global city,so the research on the space of performing arts is conducive to a better understanding of the development of Shanghai Performing arts culture,and has profound significance in guiding the future development of the performing arts culture.Based on the theory of space production of Delphi,this paper studies the formation and development of Shanghai Performing arts culture space,the mechanism of space production and the perception of space experience and spatial identity in the context of urban cultural strategy.The full text is divided into six chapters: The first chapter introduces the research background,research significance,research framework and research methods,the possible innovation of the thesis;The second chapter is a summary of the basic theory and related literature.The fourth chapter explains the production type and production mechanism of the space for performing arts;The fifth chapter makes a research on the public perception of the entertainment space by the public comment data,and explores the public's perception of the space of the performing arts and the spatial identity,which provides reference for the future planning and construction.The sixth chapter is the conclusion and Prospect,summarizes the research of this paper and puts forward some deficiencies,which pave the ground for further research.