A Study On The Shan Ju Fu

As a landscape Da Fu,the Shan Ju Fu clearly embodies the shift of Fu creation from the Han Dynasty to the The Southern Dynasties in the semptiness and realism of things and the construction of space.It is different from the imagination and magnificentness in Zi Xu Fu and Shang Lin Fu.It has more embodied the characteristics of Fu's collection,with real scenes realistically,Its landscapes are more dependent,non-all are imaginary and imaginary.Its own creation rules,such as the use of famous names and the construction of sentence styles,reflect the change of landscape Fu from the fictitious to the real,and the interaction between the Landscape Fu and Landscape poetry and the development of the Fu theory are all significant to its turn.It is by no means the product of the arrival of Xie Lingyun.It is the author's intention to achieve the purpose of exaggerating himself and the family.It also implies the family's prosperity and decline.Through the comprehensive investigation of the text content and the external environment,we can have a more intuitive grasp of the creative evolution of the Landscape Fu,and further complement its meaning of stylistics and literary history.This article is divided into four chapters.The first chapter outlines the process of rheology of Landscape Fu and the process of the rise and development of Landscape.This article puts the creation of Shan Ju Fu in the study of the evolution of Da Fu's style,and demonstrate the change from the fictitious to the real in the process of creation of Landscape Fu.The second chapter gives an overview of Xie Lingyun's life and his relationship with mountains and rivers.And researchs the version of the Shan Ju Fu and discusses the contents of the text.This article classifies the name of the objects in Shan Ju Fu and conducts research.From the aspects of the selection of objects,the form of depiction,etc.,could proves that it tends to be reality and practical.At the same time,this article expounds Shan Ju Fu creation motives and backgrounds,above of them focuses on the external research of Shan Ju Fu.The third chapter starts with Fu Text,and mainly elaborates the creative features of Shan Ju Fu from the aspects of the relationship between the actuality of the name and object,the succession on the linguistics,and the change of emotional factors.By compares it with the Han Fu and the Six Dynasties Fu to fully discuss the speculative and implicit nature on Fu's emotional expression.The fourth chapter focuses on the interactive relationship between Xie Lingyun's Landscape Fu and landscape poetry.The first is to sort out his other landscape poems,mainly discussing the style characteristics of space,emotions,and choice of words,so as to enable the overall understanding on his creation of landscape painting.The second is to collate and review his landscape poems,and expound the pioneering and uniqueness of the landscape poems in terms of its content,ideological inclination and poetry structure,etc.The third is to discuss the the relationship between his Landscape Fu which was represent by Shan Ju Fu and landscape poetry,demonstrates the interactive influence of Fu and poetry creation,and to draw the conclusion that the essential different is that the system of Fu and poetry.