Study On Ritual And Music Of Dong's "Frozen Fish Festival"

"Ritual music corresponds in form and style to the environment,mood,and purpose of a particular ritual,Music that can have physiological and psychological effects on the participants of the ceremony."(1)In the context of ritual culture,the sound of sacrifice ritual sounds of " Frozen Fish Festival" in Qingyun Town,Congjiang County,is expressed in different ways and types.The worship of ancestors is the core of the belief system of Dong nationality in Qingyun Town,Congjiang County,while the worship of Sage is the core of the belief system.The sound of sacrifice ritual sound of "Frozen Fish Festival" is a stylized behavior in the context of sacrificial ritual.The executors and participants play different roles.In the process of the ceremony,they communicate with gods and ghosts,exorcise evil spirits,open the way,run through the reverence of their ancestors,in order to achieve the purpose of exorcism and blessing.Taking Qingyun Town,Congjiang County,Qiandongnan Prefecture,Guizhou Province as the main investigation point,this paper studies the sacrificial ceremony and its sound of the Dong "frozen fish festival" in order to explore the ritual music and ritual culture in the ethnic belief space.The inner link between ethnic cultures.Sa's belief has always been the most important part of the study of Dong nationality's culture.On the other hand,the research of sacrificial ceremony is the key to explore the local culture and belief space of Sage.The emphasis of this paper is on the "sacrificial ceremony" in "Frozen Fish Festival",which is based on solid first-hand data.The ceremony of "sacrificing Sasa" will be put into the context of "Frozen Fish Festival".At the same time,it will take historical documents as the support,collect the double horizons of musicology and ethnology,and adopt the research context of both music and culture.This paper interprets the national psychology and belief system of the local Dong compatriots,clarifies the internal logic of their cultural development,and deeply studies its intrinsic cultural metaphor and symbolic significance.Throughout the "Frozen Fish Festival" ritual behavior and sound research,the author obtained the following views: First,there are three characteristics of ritual behavior and sound: first,collective,collective characteristics make the participation of the ceremony has a group participation,the participants of the ceremony have corresponding roles in the virtual field of the ceremony;The other is stylization and sanctification,which makes the behavior and emotional expression of the executor and participant in the ceremony "supernormal";thirdly,regionalization,which makes its music convex.The above three characteristics also reflect to some extent the sound and sound characteristics of the sacrifice ceremony: the sound sound in the sacrifice ceremony is closely related to the local traditional music.The sound expression in the ceremony is completed by a specific person,and the sound of the ceremony itself has the characteristics of completeness and accuracy.Second,the sound in the sacrificial ceremony is extremely sacred throughout the ceremony,and the participants in the ceremony also play their sacred roles.Therefore,there are a large number of symbolic metaphorical symbols in the sound of the sacrificial ceremony and the sacrificial ritual sound.Bowl,incense as the representative of the legal symbol;Lusheng,chanting(chanting)as the representative of the symbol of human divinity,by the local Dongcompatriots to communicate with the Sacramento,the divine characteristics of the spirit.Throughout the whole ceremony,Lusheng throughout the whole process,It plays a different role in different context of ritual structure,and constructs the system of expression of ritual sound associated with the whole ceremony.Third,throughout the sacrificial ceremony,the sound sound is basically displayed in the sacrifice ceremony.Judging from the structure of the sound of the sacrifice ceremony,The whole structure of sacrificial ritual sound is mainly divided into three paragraphs and two paragraphs,and the basic characteristics of the same head and different ending exist between paragraphs.The morphological characteristics of the sound are based on the whole demand of the development of ritual culture and act as human beings and gods at the same time.The whole ritual music embodies the expression of respect for the existence of ancestors from inside to outside.Thus,the sound of sacrificial rites is naturally divided into two main levels: near belief and distant belief.And has a very strict division of boundaries.4th,emphasizing the integrity and accuracy of ritual behavior,ritual sound and sound,making every effort to communicate with the gods through behavior,sound sound,and emotional expression of the emotional expression and needs of Sage,ancestors,with their actions,sound expression,emotional expression,In order to achieve the purpose of praying for God's blessing.In a word,in the context of ritual culture,the sound of sacrificial rites expresses in different ways the reverence for Sage,the belief of ancestors.It is under this psychological guidance of reverence that the sound of sacrificial rites expresses its reverence.In order to make the sound and sound in the sacrificial ceremony produce its own unique vocabulary in the special ritual culture,at the same time,the sacrificial objects in the ceremony,Instruments and other object symbols have symbolicsignificance,and ritual itself has been given a mysterious color because of the sacredness and particularity of music,and has become one of the unique national cultures.