Research On The Creation Of Series Of Classical Oil Paintings Small Town

Classical painting use the ancient art thought to reflect the reality moral emotion and represents the contemporary thought with typical historical events which is called narrate anecdotes of the past in alluding to the present.Classicism regards this spirit as connotation.It advocates the lofty theme,the solemn form,emphasizes the rationality.It emphasizes sketching,does not pay attention to the performance of the brushwork and color,and pursues the integrity and balance of composition,making the work produce a kind of austere and quiet beauty.In technique,classicism emphasizes accurate sketch and soft bright and dark tone,pay attention to the body quantity feeling of image modelling at the same time,pursue grandiose composition and solemn style,which can give people an ancient charm.This paper expatiates the western classical paintings and classical introduction and development of oil painting in China,using a combination of theory and works analysis to research on the creation of the “Small town”series.This paper is divided into six parts.The first part deals with the overview of western classical painting.The classical art originated in the late 14 th century and has been developing since the beginning of the 19 th century.Classical painting takes the spirit of classicism as the connotation.It pursues the ideal,the harmonious artistic style,creates a kind of perfect and the whole model.This part also analyzes the works of some representative artists and forms a clear vein for the understanding of classical painting.The second part explains the introduction and development of western classical.After the introduction of classical oil painting from the west,Chinese painters gradually explored the path of classical painting and gradually accepted it in China.Through the analysis of some representative painters' artistic style in this period,this part combines the development of classical painting in China.The artistic style presents the diversity pattern,forming the classical oil painting group with Chinese style.The third part mainly elaborates my relationship with classical painting and personal experience.I have a passion for painting since I was a child.Influenced by the enlightenment of oil painting teachers in middle school,I began to explore the ancient master stroke.When I was an undergraduate,I was shocked by the painting of the classical oil painting teacher,and formally entered the exploration of classical oil painting.During the postgraduate stage,I was deeply touched by my mentor and had a deeper understanding of classical paintings.The fourth part describes the original intention of the classic oil painting characters of Small town.With the rapid development of economy and culture in China,people have gradually changed their aesthetic requirements.Therefore,the exploration of classical oil painting is more able to meet the needs of people's spirit.The fifth part mainly discusses the development process and form exploration of the creation of the classic oil painting characters in “Small town” series.In conception,the picture depicts a positive and optimistic state of mind.On the collection of materials,I choose the Xidi village and the young women,so as to better reflect the aesthetic requirements of the classical oil painting and the expression of more conducive to the creation of the emotion.In the composition,I choose pyramid composition to pursue the stability of the picture.In the shaping of characters,I directly focus on painting,pursuing the perfect combination of shape,light and color.In the application of materials,I explored more suitable expressions on the basis of Iver's painting,but there are still many deficiencies in practice.The sixth part is about my own creative feeling.Through the creation of “Small town” series of classical characters,I improved my creative ability and thought more deeply about the future creation.