Research On The Intercultural Communication Of Xinjiang Bazhou Sawuerden Dance

With the advent of globalization,people's way of life and ideas have changed to some extent.In the region of Xinjiang,where the unity and harmony of ethnic group is the key melody,we have always insisted on achieving the harmonious development.Mutual respect and mutual understanding among all ethnic groups in order to achieve mutual integration of cultures.Sawurden is the most representative traditional dance in the Mongolian settlement area of Xinjiang Werat.In the long river of history,the ancestors of the Mongolian Department of Xinjiang Werat have experienced many ethnic migrations.Under different historical circumstances,they constantly adjust and develop their own culture in order to find the way for their own.This adjustment and development is not a simple change of elements,but a systematic change of the surface,middle and high level.Traditional culture,modern culture,nomadic culture,farming culture,Islamic culture and other cultural factors are mixed and preserved in Savoulden's body language.Based on the theory of cross-cultural communication,this paper analyzes the historical and cultural changes,cultural pluralism and contemporary cultural adaptation and communication of Xinjiang Bazhou's traditional dance “Sawurden”.And from the perspective of body culture,it examines the dance language,ritual process and movement representation of Sawurden in different fields so as to further deepen the understanding of the evolution of Sawurden culture on the level of cultural communication and to make a contribution to the transmission of traditional culture.The structure of the thesis is composed of the introduction,the body of four chapters and the conclusion.Introduction is mainly on the origin and significance of the study,research methods and the content.Chapter 1 expounds the background of the formation of the traditional dance Sawurden in Bazhou,Xinjiang and describes the basic form style and type of the traditional dance of Bazhou Sawurden.after consulting the historical documents of the Werat Mongol nationality in Bazhou,Xinjiang and the analysis of the previous research results.Chapter 2 analyzes the influence of cultural change on Saurden dance culture after analyzing the cultural background of Sawurden's dance,the internal culture,the social function,the performing occasion and the aesthetic of dance with the cultural changes in the theory of cross-cultural communication.In Chapter 3,the dance culture of Sawurden has experienced various cultural changes and interacted with other national culture and in the process of interaction,there is a cultural phenomenon of pluralistic coexistence in Saurden dance which continues to develop and spread in the multi-ethnic environment,So this chapter mainly discusses the diversity and cross-cultural communication in the Saurden dance culture.Chapter 4 is to make a specific explanation of the cultural adaptation of dance culture in Saurden under the condition that the process of cultural change,cultural pluralism and dissemination,the dance culture of Sawurden reflect a strong adaptability of the dance of Saurden.Conclusion: in the study of Sawurden dance culture,we can not ignore the relationship between people and environment,dance and environment,different nationalities,national spirit,national identity and national self-confidence embodied in Saurden dance culture.Therefore we should not only study the nature of dance,but also analyze the phenomenon of dance communication,extract the summary of views so that Saurden dance can be better protected and inherited.