"The World Of Spiritual Vision" In Luo Men's Poetry

Luo Men is a famous modern poet in Taiwan.He not only has a large number of poetic works,but also has uniquely established a poetic theory system,including his two views of creation —“the third nature”and“sense of modern”.Standing behind his poems and poetics,it is a concept of “spiritual writing” that Luo Men strongly emphasizes.He believes that poetry is a spiritual work.It is “the world of spiritual vision” that he has risen up to feel external objective reality through “spiritual vision”,and the “spiritual vision” is also the core of his poetry and theory.Therefore,this article aims to capture Luo Men's concept of “spiritual vision”,and further explore the composition and construction of the world of Luo Men's poetry.This paper is divided into four parts,consisting of an introduction and three chapters.The content mainly involves the introduction of the poet Luo Men and his concept of “spiritual vision”.From the perspective of Luo Men's poetic theory,creative themes and artistic expression,it also grasps “theworld of spiritual vision” in Luo Men's poetry.The introduction part focuses on the introduction of Luo Men's poetry,including the subject and the number of creations,as well as a general summary of his creation theory,artistic expression and his position in poetry.The emphasis is also on highlighting the current situation and neglected part of the study of Luo Men's works,which will bringrelevant discussions of Luo Men's “spiritual writing”and his “spiritual vision”.Then,the second part of introduction focuses on explaining the definition of “spiritualvision” and interpreting Luo Men's concept of it.Citing relevant interpretations and theoriesof ancient and modern poets and critics,the theoretical foundation of the thesis is established.On the whole,the “spiritual vision” in his poetry is his creative thinking mechanism,and it is a process for him to perceive the world through his eyes of the inner mind and acquire a unique inner understanding and imaginary vision of the soul,and dissolves in the poetry.In the work,it expresses the deeper connotation that Luo Men wants to reveal.The first chapter mainly discusses Luo Men's view of poetics from the root of “spiritual vision”.He regards poetry as “the spiritual work of eternality”.Being known as "the president of the University of the Mind",he chases “mind”and valued the sentiments and feelings of the “heart”.Under the guidance of the self “spirit”,he begins to transform from a non-poet to a poet.Specifically,he has made indissoluble bond with poetry due to the infection of Beethoven's music and the encouragement of Mrs.Rong's love.What can support him to put total life and boundless soul into the world of poetry lies in his great loyalty and love for poetry,as well as his unique poetic temperament.Then this chapter continues to explain that under the guidance of “spiritual vision”,Luo Men sees the “beauty” and “life” existing in poetry,both of which formed the direction of his poetry.What the “spiritual vision” creates in Luo Men's poetry is the“third natural world”.Fromthe“first nature” pastoral world and the “second nature” modern metropolitan world,the “heart-like world” that is active in people's hearts.The composition of the “heart-like world” depends on the play of “spiritual vision”,and it is a deep insight into things.In addition to the “third nature,”Luo Men's second-generation concept of “sense of modern” also puts forward requirements for “spiritual vision”.The power of the “spiritual vision” of the poet must be based on contemporary circumstances and demonstrate modern people's new sensory psychology.The second chapter mainly analyzes Luo Men's poetic works from the perspective of “spiritual vision”.There are many kinds of poetry in LuoMen's works,and the poetry of war,city,death and space related topics is a model work that can convey the spirit of Luo Men's poetry,and they are also the main exploration fields of Luo Men's “spiritual vision”.This chapter is divided into three subsections,which are the content of war,city,and death and space.Because when Luo Men was using “spiritual vision”,that is,he used the eyes of the mind to see certain scenes and acquired some inner perceptions,these contents must be displayed in his poems to dig out the “spiritual vision” in his poetry.The embodiment of the poem can be expressed through the surface description and ideological expression of the poet into the inner world of the poet.In turn,it is also an important entrance to understand poetry.The third chapter is about the analysis of the artistic expression in Luo Men's poetry.The artistic expression of this chapter is closely linked to the theme of “spiritual vision”,which are from the “wheel of creation”,the concept of multi-dimensional expression and the art skills.Luo Men believes the purpose of poetry is to enter the inner world of “spiritual vision” from the external limited visual world.To complete the process of “spiritual vision” is the “wheel of creation” referred to by Luo Men.That is,fromtheprocess of observation,recognition,feeling,and transformation to sublimation,this process is completed in the inner mind and is therefore called the “Heart”.It can be said that the proposal of "the wheel of creation" is exactly the inner creative thinking of Luo Men to realize “spiritual vision”,and it is also a profound insight and sensibility of LuoMen.In terms of both artistic and external artistic aspects,Luo Men insists on a multi-dimensional view of performance,including the absorption of ancient traditional literature,as well as drawing lessons from paintings,sculptures,and music.It is precisely in these fields that Luo Men captures the power of “spiritual vision” in ancient and modern literature andvarious artistic levels,and applies it to the creation of poetry,which has become the view of Luo Men's poetry “spiritual vision”.Specifically implementing in poetry texts,he also uses various artistic techniques to directly express his unique “spiritual vision”.This article is based on the “leaping combination of imagery”,“inverted structure”,and “verb”.Thus,Luo Men's “spiritual vision''not only has an inner working process of thinking,but also has direct artistic expression.