On The "Truth" And "Illusory" In The Murals Of The Tombs Of The Han Dynasty

In the formation and development and its tomb paintings of the warring states period has the close relation,also inherited the early western han dynasty south chu pastly tomb art tradition,form the han dynasty tomb murals of distinctive artistic style,and murals content related with Chinese art spirit,fusion,embodies the organic in the thoughts of Chinese people.In this article,through combing the development of the han dynasty tomb murals and evolution,analyzes its content and significance,a combination of several major murals,content with Taoism and Confucianism in the idea of life and death as the main line,the significance of debate.We can find that: as a kind of media will be the "real" in the "unreal" fusion,embodied by pictures turn things into different symbols in the murals,whatever to show picture,whether on this life,murals have nothing ethereal memorial,wish and idea materialized.In the tomb,people imitate the world to create a new space,as the destination of the world,to accommodate the life and death,the life and death in the transformation.And finally reach the limit of infinite limit.In han dynasty,the social ethics and moral values of the han dynasty were prevalent,and the system of filial piety was an important factor to promote the development of the mural tomb.XinMang period,the western han dynasty of the late pop up fairy to ward off bad luck is no longer a key theme,began to appear a lot about the universe,the concept of Yin and Yang five lines of content,as well as kitchen attached figure,character activities such as different content.It shows that the han dynasty tomb murals in the process of development,has always been the combination of the "real" and "unreal",the real life,the art of fiction,the limited life would live with art,this is the concept of immortality,the mysteries of celestial legend would live.