An Aesthetic Culture Perspective Of Lost On Journey Series Comedy Movies

In 2010,after Hong Kong director Ye Weimin directed the <Lost on Journey> in the mainland,this small-cost investment of 8 million won a box office income of 39.6million yuan,which has caused discussion on the Internet and major media for a time.After 2012,Xu Zheng tapped its market potential on the basis of this work.He directed and performed two comedy films,<Lost in Thailand> and <Lost in Hong Kong>.At the box office,he achieved the breakthrough of the 1 billion mark for the first time in comedy movies.Achievements.This phenomenon fully shows that the public's expectation and recognition of the "lost" series of comedy movies.However,in the academic world,the "lost" series of comedy films has not yet been fully combed and studied.Therefore,this article mainly focuses on the framework of comedy film theory,and studies the creation background,creative features,aesthetic features and cultural symptoms reflected in the series of comedy films.This sums up the development trend of China's commercial comedy movies and related experiences that can be used for reference.This article first sorts out the background of the <Lost On Journey> series comedy movies,and from this foundation,it concludes that this series of comedy movies mainly used American road movies as the reference object,satisfying the psychological needs of the audience as the basis of creation,and realizing the consumption target.In order to lead the creation of the main conditions,based on the analysis of the current situation,the text is in-depth and the starting point is comedy film theory and film narratology.The main connotations,characters,and narrative characteristics of the comedy series comedy are analyzed in detail.Audiovisual language further sums up the aesthetic features of this series of comedy films.Secondly,from the perspective of cultural studies,we should focus on the difficulties and crises of the middle class in the comedy series of comedy films,as well as the space expression in the flowing landscape,and specifically explore the reasons behind the social phenomena that appear in the current society.Finally,according to the aesthetic value and cultural connotation of the comedy series of comedy films,combined with the problems of homogeneity in current comedy films,the development direction and trend of Chinese comedy movies are proposed.The author believes that only with the sense of comedy spirit,with the idea of the supremacy of the story as the concept of creation,the development of the brand can be incorporated into the industrialization of the comedy film,in order to get out of a practical way that meets the audience's aesthetic.