The Decorative Art Features And Causes Of Fuzhou Defoaming Lacquer Ware

Fuzhou bodiless lacquerware,a kind of folk painting with strong regional style and clear national characteristics,has a long history and was born more than 200 years ago in the late Qing dynasty.The Fuzhou bodiless lacquerware depicts its unique artistic features with its vivid color language,delicate and elegant decorative features.It known as China's four big lacquerware with Pingyao lacquewarer,Chongqing grinding lacquerware and Yangzhou lacquerware.In 2006,Fuzhou bodiless lacquerware was listed in the first batch of national intangible cultural heritage list by the state council.Shen Shaoan who was a Lacquer art craftsmen found "Jia Zhu" technology in an accidental opportunity and improved it.He created the bodiless lacquer,since then referred to as the granddaddy of Fuzhou bodiless lacquer in Qing Dynasty of Qianlong years.Main technical features of Fuzhou bodiless lacquer is colorful,frivolous,refined decoration and carcass.Shen brothers repeatedly attended with bodiless lacquerware on overseas exhibition then Fuzhou bodiless lacquerware was famous in foreign countries.Fuzhou bodiless lacquer is a kind of lacquer which born and bred in Fuzhou,so it greatly influenced by folk customs in the development of its process.This shows the influence of folk life characteristics and regional traditional thinking habit on art form in decorative arts.Besides,the special regional environment and humanistic factors in Fuzhou have become the cradle of the degenerative lacquerware.Therefore,it is of certain cultural significance for the research record of the Fuzhou detoxification lacquer.Combining with the present situation of Fuzhou detoxification lacquer ware,the author adopted the literature research method and gived a detailed understanding of the history process and development situation of the deformed lacquer ware through the field investigation.In the modern humanistic environment,the author analyzed the decorative art features of Fuzhou's decolorized lacquerware and discussed its causes based on its own aesthetic experience.The article is divided into five parts.The first part is the introduction.The second part mainly studies the general situation and the regional cultural background of Fuzhou detoxifying lacquer ware.The thirdly part analyzes the characteristics of the decorator system.The fourthly part from the Angle of folk life and lacquerware artists,the formation of the decorative art characteristics is studied.The fifth part is the conclusion.Standing in the modern society,we think about the revitalization of traditional craft and protection problems,the author thinks that the most fundamental is to understand the real demand of people to the traditional process and the evolution of this demand is actually on the artifacts themselves of the evolution of "pleasure",it is based on the evolution of the geographical concept,as also the evolution of the view of material.In this paper,the author tried to understand traditional bodiless lacquer through Fu Zhou regional cultural features and social relations based on the dialectical view,With an clarifing the cultural context of traditional bodiless lacquer,we can cognize contemporary better and effectively to search for the future development direction of Fu Zhou bodiless lacquer art.