Research On Quentin Tarantino's Films Based On The Theme Of Violence And Death

Quentin Tarantino is one of the most closely watched directors in the film industry today.He has made the world film a teacher and acquired the knowledge and skills of film from all kinds of movies.All of Quentin's film stories come from different genres.He mixes genre films together,and conquers the world with his unique narrative structure and stylized "violence aesthetics".Quentin's film has not only been a commercial success,but it has also won the top prize in the Cannes Golden Palm Awards.Quentin made non-linear narration into the mainstream structure of film creation in the 1990 s and promoted the reform of film narration.Quentin's films are keen on violence,and violence and death are the eternal themes of their films.Quentin always adhere to the attitude of the game to show violence,with the absurd comic stories,humorous dialogue and entertainment violence breaks the social significance,makes the violence in the movie are no longer heavy.This paper mainly analyzes Quentin's films in terms of "violence aesthetics",film narrating,film and television audio-visual language,death instinct,film aesthetics and psychology.The first chapter summarizes and summarizes the origin and development of "violence aesthetics" and the aesthetic characteristics of "violence aesthetics" in movies.The second chapter focuses on all the long films of Quentin,analyzing the changes of quentin's creative style,the way of violence,and the exploration of Quentin's "violence aesthetics" stylized.Based on the analysis of Quentin's narrative structure,the author summarizes the two characteristics of Quentin's non-linear narration,and Quentin's coping strategies for violent narration.The third chapter,the use of Freud's psychoanalysis of death instinct,combined with the characters in Quentin's films,analysis of the characters in Quentin's films and the intrinsic factors of violence,but also analyzes the relations between death instinct and violence in Quentin's films.Through the study of "violence aesthetics" and death instinct in Quentin's films,the author summarizes the change of violent meaning inQuentin's films.