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Quentin Tarantino’s Movie Narrative Research

Posted on:2015-02-13Degree:MasterType:Thesis
Country:ChinaCandidate:W XuFull Text:PDF
GTID:2285330467468517Subject:Art of Design
Abstract/Summary:PDF Full Text Request
Quentin Tarantino is a1990s American independent film revolution important youngdirector with a unique personality and commercial films and art films are known for deepunderstanding. Specializes in non-linear storytelling, memorable dialogue and bloody sceneswith extreme performance and practices of black violence. Works on behalf of the movie"Reservoir Dogs,"" Pulp Fiction,"" Kill Bill,"" Inglourious Basterds,"" liberated Jiang Ge" and so on. Access to global best director award at the201310th tripod Award. Quentin ’sfilm is not visual effects spectacle movies, but catch the eye, exactly what elements of thefilm, played such an effect.Human watching stage performances, reading novels, listening to music or watchingmovies, always wanted to know about what, how it feels. What narrative story, how to tellstories. From silent movies to talkies, from start-ups to film narrative montage, recordedfrom a single lens to explore art films, films all reflect its strong narrative competence. Amovie always involves two questions, what about a story, how to tell the story. From theperspective of film art, film inseparable narrative, narrative like beads of lines throughout themovie always, in other words, the film is deeply embedded in the narrative of his own body.Following the movie is literature, music, dance, architecture, art, drama, and theseventh art. The film is young, and literature, drama, music and painting is as old as history.Children affected by imitating adult education, the same narrative film studies inevitablyaffected the doors mature art. As the development of the thousands of years of literarynarrative, research film narrative is always in the shadow of literary narrative studies, studyfilm narrative difficult, after the novel appeared in the movie does not mean that the film isimbued with literature, film narrative is by no means literary narrative vassal thing.Known as the devil’s U.S. director Quentin, the so-called "devil " is " God knows whathe was thinking from the debut" Reservoir Dogs " is known to " Pulp Fiction " rise to fame,and then later the " Kill Bill "" Inglourious Basterds,"" liberated Jiang Ge." as not atechnical education director, Quentin shooting skills almost entirely out of self-study, which when viewed with him a lot of video rental stores are inseparable.1990s, Film seemsthat only rely on high-cost, high-tech and star effect in order to attract viewers, whileindependent film Quentin insisted represent a low-cost route, proved unique style, ahead ofthe sense of fresh visual language they can also grab hearts of the audience.QuentinTarantino promise to the structure and aesthetics of violence in movies round to theviewpoint segmentation plays structure, the use of sound clips stories converge to shape thecharacter in the movie, the dialogue is witty and so let people deeply remember the director ’sname. article from the movies featured in the movieQuentin Tarantino personal promisefrom the graphic style description narrative structure, showing several directions Quentin ’snew B-level elements used and collage in his movie discussion.
Keywords/Search Tags:Quentin Tarantino, Movie, Film Narrative
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