The Study Of Aesthetic Imagery Of Nan Shan In The Book Of Songs

Imagery,as an ancient category with profound meaning,is a complex of subject and object,meaning and image,which is rich in ideological connotation.Aesthetic imagery theory appears after imagery theory,and the subject puts subjective spirit into practice.In the objective imagery,the product of subject-object blending formed through a unique aesthetic view,as a subjective emotional imagery,is a process in which imagery is continuously aestheticized and surpassed.The aesthetic image is generated in the aesthetic activity and has a strong subjective emotion color.In the emotional color,it abstracts the light of reason and contains rich social life content and life style.Since the pre-Qin period,it has been slowly accumulating in the development of the Chinese national classical literary art,and it has been connected with the ancestors' subconscious.Literature and art are the embodiment of human spirit.The creation of human beings who apply the internal scale to the object is utilitarian,free,and aesthetic.As the first collection of poetry in China,The Book of Songs is a materialized expression of the inner spirit of the ancient people.It uses the plain and sincere language expression form to display the historical outlook of their social life,and records their aesthetic perception and aesthetic pursuit.Containing rich aesthetic experiences and aesthetic images,they are the most vivid and most vivid summary of their aesthetic activities.Therefore,it is especially important to understand the inner thoughts,feelings,and aesthetics of the ancients."The Book of Songs" contains a large number of descriptions of famous objects.The initial research mainly focused on the research of famous objects and later on the deeper content,that is,it is the basis for the ancient people to express their thoughts,feelings,and interests.It has a wealth of aesthetic information.It contains many profound image connotations.In our country,mountain is a kind of ubiquitous natural object image.Its tall and majestic image character gives people a lofty beauty.Numerous literary works use mountains as material,gradually constructing images of mountains with various imagery combinations.The people of the Book of Songs established a close relationship with the mountain through social activities,and used their own power to brand the mountain with people,leaving behind a large number of poems about the mountain,supporting the emotional and emotional aspects of the people in the spirit level.A piece of heaven and earth becomes a symbol of aesthetic imagery expressing human inner thoughts.Many ofthe poems in The Book of Songs mention mountains,and the widely-appeared Nanshan image is based on Nanshan's imagery.It has become a common representation of the ancestors' material life and spiritual life,embodying rich emotions and meanings,and possessing rich aesthetic connotations."The Book of Songs" has a very high aesthetic value for the expression of Nanshan,carrying the ancestors' unique original ideas and emotional implications of Nanshan.Therefore,the aesthetic imagery of Zhong Nanshan in the Book of Songs focuses on the aesthetic interpretation of Zhong Nan Shan in The Book of Songs.It uses the Nanshan imagery in The Book of Songs as the object of study and interpretation,and adopts the aesthetic perspective to integrate Nan Shan and the category of aesthetics in The Book of Songs.The combination of aesthetic imagery theory and detailed and detailed analysis seeks to achieve a comprehensive and in-depth study of Nanshan and reveal the unique aesthetic tastes of ancient ancestors on Nanshan.