The Aesthetic Critique Of Contemporary Chinese Network Entertainment Generalization

Entertainment is a necessary process for people to truly become human.In the daily life and work process of the people,it is necessary to satisfy certain entertainment needs,ease stress,increase the index of happiness in life,and meet the needs of spiritual civilization.Entertainment is human nature and it is human's instinctual demand.With the explosive development of network technology,human society has gradually entered a new era under the leadership of technological progress.With the help of the Internet platform,Internet users can more conveniently access various types of information and provide more convenient ties for Internet users' entertainment.In order to achieve higher economic benefits,various online media constantly tap the "consumability" of the content they provide.Online media often uses entertainment additional attributes that increase the content produced to attract users' attention.The rapid development of China's network process and the lack of scientific and effective supervision have made China's Internet content "pan-entertainment".In the long run,it is not conducive to the long-term development of online content and the construction of mainstream values of the people.Entertainment has gradually been alienated,losing its original essence and going into a pan-entertainment.The first chapter of this paper first affirms the great convenience that the development of the network brings to social life,but at the same time it also has an impact on social politics,economy and culture.The network is a "double-edged sword."The second chapter elaborates the current situation of the Chinese Internet entertainment aesthetics and the status of "pan-entertainment".It mainly consists of two parts: First,some concrete cases illustrate the vulgarization and vulgarization of the social networking platform.Secondly,from these negative materials,we find that online entertainment urgently needs correct and active aesthetics.The first chapter of the third chapter mainly discusses the reasons for the emergence of pan-entertainment phenomenon mainly consists of five points: the tendency of consumerism;the development of the entertainment economy;the deconstruction of the elitism by popularization;the increasing entertainment demands of the audience;the absence of ideals and beliefs.The second part mainly analyzes theadverse effects brought about by the phenomenon of pan-entertainment and analyzes it from three different perspectives.Then it criticizes the negative impact of the pan-entertainment of the Internet on culture and aesthetics.Internet entertainment has aggravated the irrational tendency of popular thinking,weakened the function of network cultural knowledge inheritance,reduced the public's aesthetic cognitive ability,and affected the physical and mental health of young people.Finally,this article attempts to explore the path of aesthetic return of online entertainment and promote "emotional entertainment." China's Internet content urgently needs an aesthetic return,which is conducive to the further development of online media,and at the same time it has a spiritual guiding effect on the people of our country.Constructing new ideas for online entertainment in China,developing media aesthetic education,and actively developing aesthetic activities are the only paths we must take.