Ecological Aesthetic Implication In The Literary And Art Theory In Wei Jin And Six Dynasties

Industrialization has greatly improved the material standard of living,but it is accompanied by a serious of ecological c.rises.People began to reflect on the relationship with nature,and ecological aesthetics,environmental aesthetics,environmental ethics and other related theories came into being.In the collision of various theories,the harmonious coexistence of man and nature overcomes the antagonistic relationship between the subject and the object,and becomes the mainstream.Anthropocentrism and ecocentrism gradually give way to ecological humanism and ecological integralism.Ancient Chinese cultural thoughts contain profound ecological consciousness,while the theory of literature and art,as the carrier of social ideology,convey the original ecological concept and natural life consciousness of the ancient people.Wei Jin and Six Dynasties are the era of the awakening of the human subject,and the historical stage of the literary and artistic conscious.At this time,"nature" began to enter into the aesthetic field of scholars in an independent manner.Its objective value was recognized and affirmed,and it was endowed with rich emotional experience and aesthetic experience.The development of the southern regions,the development of the manor economy,the prevalence of metaphysical thoughts,the dilemma of the scholars due to the political darkness,and other factors have been mutually integrated,objectively giving birth to the germination of natural aesthetic consciousness.The relationship between man and nature moves from binary opposition to harmonious symbiosis.It is expressed in the field of literature and art,produces landscape poetry,harmonious classical music,calligraphy that emphasizes nature,landscape painting which expresses nature and garden architecture that integrates various natural elements.This paper mainly adopts the method of comprehensive research,which not only comprehensively studies the history of dynasties,aesthetics and art theory,grasps the ecological aesthetic consciousness of this historical period from the macro background level,but also comprehensively studies the art theories of different categories,concluding the relationship between human and nature,the connotation of ecological aesthetics,and the commonalities.This article is divided into seven parts:The introduction part mainly introduces the necessity of ecological aesthetics in the context of today's advocacy of the ecological concept of civilization,and the significance of the excavation of ecological aesthetics in the era of the Wei Jin and Six Dynasties.At the same time,it also discusses the current academic research on the relationship between the literary theory and ecological aesthetics,especially in the theoretical research in the fields of poetry,music,painting,calligraphy and garden architecture.In addition,the introduction also clarifies the problems to be solved in this paper,that is,to study the views and discourses on the relationship between man and nature,the ecological aesthetic concept,and the ecological aesthetic value contained in the literary theory.Before the text,the related terms and concepts in this paper are also defined to ensure that the whole article can always grasp the core essence.The first chapter mainly discusses the social and historical background of the Wei Jin and Six Dynasties,and introduces the development of metaphysical thought,southern regions development and manor economy in detail.Under this background,the evolution of "nature" concept and other related social elements.In addition,the evolution of various art categories in this period was sorted out.The discussion in this part is mainly to provide a macro grasp and overview for the detailed refinement in the subsequent chapters.The second chapter discusses the literary theory.In the field of literary theory,landscapes began to enter poetry and works in an independent manner.Especially after the landscape poems came to the historical stage,natural elements became an important part of literary works and inevitably affected literary theory,especially Wenxindiaolong and Shipin.Wenxi,ndiaolong incorporates the concept of nature into the aesthetic category of literary theory.Shipin regards the concept of nature as an important basis and standard for poetry evaluation.The integration of natural ecological implication in poetry theory not only shows the germination of ecological implication,but also creates a precedent for the literary theory in later natural aesthetics.The third chapter discusses the music theory.In music theory,the ancient Confucian music education thoughts gradually gave way to the inner aesthetic attributes of music.It believes that music is born in the natural way,and also holds the harmony from heaven and earth.It comes from the vibration of musical instruments and does not distinguish emotions of sadness or joy.The literati began to pay attention to the entertainment effect of the music and the general influence of the temperament.The pursuit of natural harmony has become a major innovation in music theory,and the ecological meaning of harmony between man and nature has gradually emerged.In the expression technique,multi-sensory combination is used to properly combine hearing,vision,and touch.In addition,ancient musical instruments are made of sycamore trees,also highlight the natural original meaning of the materials,which are fully expressed in the music theory,especially the thinking of Ji Kang.The fourth chapter discusses painting theory and calligraphy theory separately In the field of painting theory,landscape paintings are stripped from the background of figure paintings.Especially after Gu Kaizhi's entering the art world,the expression of natural scenes has become a common consensus of painters.The spread of metaphysical thinking has made the plain and natural style the artistic pursuit of the painters.The painters come to nature,feel the nature,and incorporate their own emotion into the paintings,so that the paintings show the artistic aesthetics of the paintings and the integration of the subject and the object.Influenced by this style of painting,the aesthetic propositions in landscape painting theory such as "To transform from imagination to acquisition" and "Six Laws" have been presented,which have made great contributions to the ecological interest in landscape painting theory.Like music,calligraphy is also an art form that is produced in nature,attaching importance to nature as the rules of art,showing the art of total lines.Whether the length of the glyph,the trend or the gesture,and whether the temperament of the ink,it shows a dynamic beauty,full of vitality.The extension of various aesthetic terms and aesthetic categories in calligraphy theory,the internal strength of calligraphy and the external body,the tension among words or the layout of texts will highlight the beauty and intensity of the rhythm of life.The fifth chapter focuses on the theory of garden architecture,but it is all-encompassing.Although it was not until the Ming and Qing Dynasties that a complete theory of garden architecture was formed,the Wei Jin and Six Dynasties upheld the architectural thinking of the Qin and Han Dynasties and opened the glory of the peaks of the garden architecture,which integrated the natural factors into their establishments,including the landscape rock,landscapes and pavilions,animals and plants,creating a vibrant natural landscape.Whether it is an imperial garden,a scholarly garden or a temple garden,whether it's creating structure or viewing,the ecological meaning is displayed in a concrete way,which fully reflects the aesthetic appreciation of the garden under the background of aesthetic consciousnessIn the conclusion part,through the grasp of the theory of literature and art in the historical period,we can excavate the ecological aesthetic interest contained in it and realize the transformation of the relationship between man and nature.On the one hand,it provides arrangement and a contemporary interpretation of the ancient ecological wisdom;on the other hand,it seeks theoretical solutions for today's serious ecological crisis,and provides a solid theoretical support for mankind to create a home with a good ecological environment and beautiful environment.