The Research On The Monster Image In Domestic Animation From The Perspective Of Folklore

In recent years,with the rise of the Internet and other media,Chinese domestic animation has a new motivation and change their way of communication.Many excellent original animations appeared under such circumstances and whole Chinese domestic animation develop rapidly.Among these animations,the monster theme that were not concerned by people in the past is popular now and attract many audience.The hits in the major broadcast platforms for monster theme animation are so high than other type of animation.This can not help but cause the author's attention.Through the research and collection of relevant information,the author finds that hardly of research pay attention to the difference between monster theme animation and other theme of animation.,and the related research is still in its infancy.Therefore,this article starts from this perspective and hope the research make a contribution to this field.Although the monster theme and monster culture that are marginalized in China now,it has a very profound historical basis and are carried forward in our neighboring country,Japan.Japanese folklorists have paid attention to it and conducted academic research early on.A group of scholars led by Jing Shang yuan laid the foundation for Japanese monster studies.The generation of monsters is inextricably related to the activities of our human beings,so it is of practical significance to study them.This paper adopts the research perspective of folklore and related interdisciplinary subjects,and uses comparative analysis,literature synthesis,and case analysis to conduct research.By analyzing the creation of related characters in monster animation,the source of traceability begins with the rise of monster culture.After that,analyzing the process that it is gradually used by humans,and then rise to its unique folk characteristics that displayed in the monster animation.So the author think there are three important factors that affect the creation of monster animation and its popularity:First,the dominant class in the society;second,the exploration of creators;third,the audience's folk aesthetic identity.Through the research of this paper,the author finds that the creative process of monsters in animation is mainly reflected in the folk interaction between these three types of subjects in society.It has unique folklore value and revitalizes our traditional culture and has a positive impact on the rise of the national spirit.