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The Historical Evolution Of Hu Feng's Image Since The New Period

Posted on:2019-06-14Degree:MasterType:Thesis
Country:ChinaCandidate:Z R XiaoFull Text:PDF
GTID:2405330572495138Subject:Chinese Language and Literature
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The Hu Feng incident is an important political event and spiritual event in modern China.It is a window for understanding a generation of intellectuals and characteristics of a specific era.In the background of the Party's management of literature and art,"New Literature Historical Data",as the only historical publication reflecting the history and current status of modern and contemporary literature in the country,had faced a crisis of suspension of publication due to the publication of Hu Feng and other sensitive figures and events.It is precisely for this reason that Hu Feng's emergence of "New Literature Historical Materials" is not a simple and straightforward presentation,and he will inevitably experience a balanced game between all parties.In the process of the game,it is also the construction of Hu Feng's image in the "Literature of New Literature",which leaves a greater space for interpretation.Simply put,to explain the construction of Hu Feng's image is to glimpse the intellectual history and context of the generation of that generation of intellectuals.Therefore,this article attempts to discuss Hu Feng and his wife and children,historical witnesses,and later researchers.The first part discusses the construction of Hu Feng's image by Hu Feng and his wife and children.Hu Feng's memoir of "Hu Feng" does not have the pride of being good at arguing with people.He responded to different opinions in an essay,showing the course of a"revolutionary" in a quiet tone.In this exhibition process,with the changes in the context of the times,the content that can be revealed has gradually expanded.Mei Zhi,his wife,was in stark contrast to Hu Feng's low-key,actively defending Hu Feng and defending the results of Hu Feng's third redress.On the one hand,Hu Feng's writing has been filled with the blank space of Hu Feng's "lost period".On the other hand,as Hu Feng's positive image is established in the public's view,Mei Zhi can also accept others to describe Hu Feng.Hu Feng's image can have some subtle flaws.Xiao Feng,a child,is committed to the collation of letters and diaries,and in particular the letters of the "Hu Feng Anti-Party Group Materials"published by the People's Daily,which were extracted from the chapter and taken out in full.Xiao Gu and Xiao Shan wrote more articles on memories and supplemented the articles on Hu Feng and Mei Zhi that were not related to the post-rehabilitative situation.Their strokes touched sensitive political areas;there were also some for researchers.Response,argument articles.Xiao Gu and Xiao Shan's writing of these articles can only naturally take place in the post-1990 period after the literary history was rewritten and has become the consensus of most scholars.The second part discusses the construction of Hu Feng's image by historical parties who have had contact with Hu Feng.Unlike subjects that are relatively fixed in the first part,historical witnesses themselves are an ever-changing subject.They include different stages and different characters and are difficult to examine in detail.To roughly classify it,they have to be divided into the construction of Hu Feng's "negative" image,and the construction of the"positive" image,and the construction of Hu Feng's image is also often crossed.These intersections are also the image of Hu Feng.The complexity of evolution lies.Of the negative image builders,there are "Zhouyang School","Hu Feng School" and a group of people who have been treated unfairly because of the Hu Feng case.The construction of a positive image mostly goes through the friendship of Hu Feng's life friends,to the first batch of Hu Feng elements,and the second batch of Hu Feng elements.The discourse system used to construct Hu Feng's image is also changed due to changes in the context of the times,and it is more inclined to express it in a personal language.In short,Hu Feng's image gradually evolved from being negative to positive.The third part discusses the construction of Hu Feng's image by Hu Feng Researcher,which is mainly represented by scholars.On the one hand,they focused on the status of Hu Feng's translator and were dedicated to digging Hu Feng's translation of Taiwanese literature.At the same time,they also unearthed the opposition between the mainland and Taiwan,and in the fifties and sixties of Taiwan,Hong Kong and other places media on Hu Feng's Evaluation.In order to build a Hu Feng image that is different from the mainland.Second,some researchers focused on Hu Feng as the center to examine Hu Feng's life story,to hook up the historical events before Hu Feng established the country,to interpret the historical events that were of great concern at that time,and to supplement Hu Feng's self-constructed historical image.On the other hand,from the perspective of philology,Hu Feng's works are supplemented and researched and researched on Hu Feng's letters and works.Through Hu Feng's literary works,he outlines a rough Hu Feng image.
Keywords/Search Tags:the new period, Hu feng's image, Historical evolution, Historical materials of new literature
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