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A Study Of Time Aesthetics In Wang Zengqi's Fictions

Posted on:2021-01-17Degree:MasterType:Thesis
Country:ChinaCandidate:L F ChenFull Text:PDF
GTID:2415330602966275Subject:Chinese Modern and Contemporary Literature
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As a writer with personality,Wang Zengqi created a literary world of his own.He used the most economic literary genre-short story to describe the wonderful moments in the lives of the people in the city.Wang Zengqi said frankly: "I am not very good at telling stories and I don't like fictions that are too fictions,that is,stories with strong stories.The story is too strong,I don't think it is true." So his work is about life.Impression-style depiction is the momentary feeling of the subject to a certain scene,and the author's burst of certain emotions.These fictions are more like a vicissitudes of old people telling his life experience,delicate but not boring,loose but not long.The achievement of Wang Zengqi's fictions is largely due to his breakthrough in the creation mode of traditional fictions,the bold attempt and exploration in art,the creation of a literary fiction of literary culture,and his unique aesthetic style.This article is mainly composed of an introduction and three chapters.The introduction is divided into three parts.Firstly,it summarizes the previous research results of Wang Zengqi's fictions and the research status of "time" in Wang Zengqi's novels,and then summarizes and sorts out the definition of "time" in philosophy,especially literature.The concept of "time aesthetics" is defined.Finally,the expression of "time aesthetics" in Chinese classical aesthetic thoughts and Western aesthetic thoughts is summarized,and a reference for the comparison of "time aesthetics" in Wang Zengqi's fictions is discussed.The first chapter analyzes the existence forms of the three kinds of "times" appearing in Wang Zengqi's fictions.From the recollection theme,the growth theme and the time experience brought about by the thinking of new life and death,the external picture of the writer's existence is analyzed from the life.The angle of existence explores the poet's reflection on survival and the action of breaking through the limits of life.The second chapter analyzes the aesthetic characteristics of Wang Zengqi's novels by analyzing the artistic expressions of "the time sign of agriculture as the center","physical time as psychological time" and "white space and pause" in Wang Zengqi's novels.The impact of the formation.First of all,the time expression of the time of the festival and the time when the plant grows mature in Wang Zengqi's fictions is the most common time-keeping symbol in Wang Zengqi's fictions.Such a holistic time mark represents a folk secular life and represents a state of existence that belongs to human beings.Secondly,Wang Zengqi's fictions such as “Revenge”,“To Waiting for the Car” and “xiehou” have pure psychological activities as the whole content of artistic creation,integrating the past,the future and the present,and portraying the characters in an extremely brilliant way.Inner world.In his fictions,time is no longer a time scale outside of life.Physical time is hidden in such works.Time is a subjective feeling that blends with life.Influenced by the Western modernists,Wang Zengqi's large number of stream of consciousness fictions use the flow of psychological emotions as a clue to transform the physical time into psychological time,which constitutes the ambiguity of time.Finally,from the perspective of creation itself,blanking and pauses are inevitable in any narrative text,because literary works cannot be left unchecked.White space and pauses have become artistically important rhetorical techniques and methods,and they play a very important role.The third chapter tries to use "time" as the starting point,starting from existentialism and exploring the effect of the time presented in the works on the aesthetic characteristics of the novel.The creation of Wang Zengqi's scattered cultural novels reflects the author's cultural stand based on the people and based on life,showing the author's peaceful and calm,optimistic life feelings.The diffuse structure,the imagery characters,and the ontological language together form the unique aesthetic style of Wang Zengqi's fictions.On the other hand,it also confirms thewriter's cultural standpoint and aesthetic pursuit.War,the city and so on represent the feelings that the living situation brings to the individual.The writer's thinking about his own life is also an important source of philosophical thinking in his fiction.This directly affects the author's perception and recognition of the times,and also affects the way the author deals with the time element in the creative process.This paper cuts into the study of Wang Zengqi's fictions from the perspective of time aesthetics,not only confining it to the study of time presentation in the text,but also combining the life experience with the time image in the works,and the external research and internal research of Wang Zengqi's fictions.In combination,the study is more specific to restore the writer's understanding of life and life.The relationship between time image analysis and the aesthetic characteristics of the work is explained to explain how such time existence form and artistic expression influence the formation of the aesthetic characteristics of Wang Zengqi's fictions.
Keywords/Search Tags:Wang Zengqi, fictions, time aesthetics, aesthetic characteristics
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