Nationalization Of Chinese And Japanese Film And TV Animations

The creation of any kind of art is inseparable from the foundation of national culture,while the characteristics of national style are gradually accumulated and precipitated in national culture.As far as the world's outstanding film and television animation works are concerned,almost every part of it is infiltrated with distinctive national characteristics and reflects the relevant national cultural characteristics."The Big Miscellaneous Heaven" and "Spirited Away" are the two most successful works in the history of film and television animation between China and Japan.They have a lot of influence in the world,and one of the same conditions for their success.It is a close integration with national culture.In other words,nationalization is a prerequisite for the success of both.Based on this,the article takes "Danao Tiangong" and "Spirited Away" as an example.From the perspective of audiovisual,it studies the nationalization of film and television animation.Firstly,from the perspective of development status,expression form and subject matter characteristics,This paper gives an overview of the development of Chinese and Japanese film and television animations,and then discusses the story of "The Big Miscellaneous Heaven" from six perspectives:storyline,scene design,character modeling,line and color expression,dubbing characteristics,and "audio" animation music characteristics.The national expression of audio-visual,and then analyzes the "Spirited Away" from seven perspectives:story plot,scene design,character modeling,color expression,dubbing characteristics,the reference and innovation of "Chinese Dragon",and the musical characteristics of modern and traditional integration.National characteristics.Then,the national art styles of "The Big Miscellaneous Heavenly Palace" and "Spirited Away" are explored,and the inheritance and innovation of national culture are compared with "Da Tian Temple" and "Spirited Away".