Research On The Miscellaneous Play Of Wanrong Gongs And Drums

Wanrong gongs and drums play is an ancient ritual drama popular in Daxing Village,Guanghua Township,Wanrong County.It is said that it was also popular in Fan Village,Nanzhang Township,Wanrong County.There are only performances in Daxing Village.Wan Rong's gongs and drums are also called "Daxing gongs and drums mixed dramas." early performances of Wanrong gongs and drums were attached to sacrificial activities,the main purpose of which was to worship the gods and Buddhas and pray for the disaster.Since its birth,It is closely related to the Sanguan Temple of Daxing Village.It has a special stage,which is placed in front of the door of the Sanguan Temple.In the words of the local villagers,"the gongs and drums play is sung to the master of Sanguan."Wanrong gongs and drums play is named for its accompaniment instrument.Its artistic characteristics of "using drum control without silk string accompaniment" are more similar to Yiyang's tunes.This paper takes Wanrong gongs and drum operas as the research object and the field investigation method as the main research method,from the survival environment,origin and development.This article is divided into six chapters: artist and inheritance,artistic form,survival status and so on.Chapter 1st,summary of living environment.Mainly from the two aspects of natural geographical environment and humanistic ecological environment.The humanistic ecological environment includes four aspects: system evolution,agriculture,forestry,trade,social humanities,religious belief.Chapter 2nd,on the basis of combing the literature,the origin of Wanrong gongs and drum mixed drama is discussed.Secondly,the first-hand information obtained through field investigation.The folklore background of Wanrong gongs and drum operas is analyzed,including the construction of temples in Daxing Village in history and the religious beliefs of villagers.Finally,Artists and their inheritance.Through field investigation,fully understand the "artistic career" of the gongs and drum opera inheritors and related artists.Secondly,record the succession order of Wanrong gongs and drum operas.The inheritance of a script,etc.Chapter 3rd,the configuration of musical instruments and the use of gongs and drums.Interms of the configuration of musical instruments,it mainly records the characteristics of the external forms of musical instruments in various performances of Wanrong gongs and drums.In the application of gongs and drums,there are opening gongs and drums,formal gongs and drums,percussion gongs and drums,and percussion drums.Action gongs and drums,Dao white gongs and drums.Then there is the singing and matching cavity.In the singing aspect,the analysis is made in terms of sentence pattern,upper and lower Yang Yin sentence,"pull sound",moistening the tune,creating technique and the characteristics of Tao Bai.Finally,Make a simple discussion on the artistic characteristics of the matching cavity.Chapter 4th,compared with Linyi gongs and drum operas,there are similarities and differences between them in terms of their artistic characteristics,mainly from the following four aspects: the configuration of musical instruments,the use of gongs and drums,the characteristics of singing,and the design of roles.Chapter 5th,survival status and Protection.Survival status is performance status.The author mainly records the performance status of Wanrong gongs and drum operas for more than half a century.Secondly,protection countermeasures,from the government,the inheritors,The researcher makes the discussion from three angles.