An Aesthetic Discussion On The Prominence Of Things Of The Western Avant-garde Art In The Twentieth Century

Generally speaking,Avant-garde refers to an artistic phenomenon in the twentieth century in western history.There is no shared specific artistic program among the different art schools,but they are connected through a special aesthetic care in continuous development.By understanding its specific background and artistic practice,it is found that in the process of technological and commercial development in the twentieth century,the function of imitation of art is threatened by mechanical reproduction,which made art have to change,and as the forerunner of art,avant-garde art started the process of exploration in which avant-garde art not only recognized and highlighted the "object",but also provided space for the "thing" itself.By analyzing emphasis on thing as a medium of the historical avant-garde period,and then the further introduction and liberation of things in the new avant-garde period,we can see the development of the "things" contained in the development of the avant-garde.At the same time,through the development of "things" in the avant-garde,grasping the evolution of avant-garde art.Through the development of "things",the avant-garde has updated the mode of artistic appreciation,breaking the traditional dichotomy between the subject and the object,forming the equality and mutual promotion between the elements of aesthetic participation,and inspiring new aesthetic value.This paper is divided into six parts:the first part of the introduction,mainly contribution to the theory on the literature review.The second part is the analysis of the concept to clarify the research content of the paper.The third part is a discussion of avant-garde art practice,which presents different meanings of "thing".The fourth part is the analysis of the aesthetic elements contained in the avant-garde art.The fifth part considers the limitations of avant-garde art,and the last part is summarizing the full text.