The Concurrent Of "Business" And "Avant-garde" Studies Of MengJinghui’s Avant-garde Drama In The New Century

The drama is an ancient art, has been two thousand five hundred years of history, the history of drama is a history in unceasing inheritance and development.Different time have different characteristics of drama, drama is always changing and developing. Drama ultimate fundamental purpose is to service for human, so different period drama authors always tireless exploration, for the drama this ancient art constantly bring new vitality. Countless drama authors with their pain into today’s drama, makes the drama always send out a charming fragrance, attracts more and more people into the art. As a part of the family of the world drama, Chinese opera has experienced a long and tortuous course, has experienced the ups and downs of countless times.In the eighty s, the Chinese theatrical circles in the survival crisis, almost no one is willing to pay attention to this ancient art. Until avant-garde drama was born, to make the drama to glow the vitality. Meng Jinghui as one of the avant-gardes of the representative figure of drama, in the 80 s and 90 s to create a series of such as Si Fan,An Anarchist Accidental Death, Rhinoceros In Love and other novelty of avant-garde drama. His appearance has broken the original dead atmosphere of Chinese theatrical circles injected new forms and elements, give play to the audience interested in drama, more and more people are into the theater. After entering the new century, Meng Jinghui has created a large number of avant-garde drama, with the characteristic of monteggia in winning the box office at the same time, also gradually set up his position in the theatre and word of mouth. Almost every one of his works come out, can cause great discussion. Meng jinghui’s work after the new century, while keeping his former avant-garde means at the same time, also in the field of some new experiments and exploration; But with the popularity of commodity economy in China, his works are inevitably to the way of commercialization. A dozen years in the new century, Meng Jinghui with his love of theatre, a series of achievements, to a great contribution to Chinese drama abroad, training a large number of young drama talents; But there are also criticisms he is " Pseudo avant-garde", lack of ideological content, vulgar elements such as flood. To this, should use a dialectic perspective to look at the creation of Meng jinghui.Based on the thinking that avant-garde in the new century Chinese opera development as a starting point, the avant-garde drama in the new century the most representative works of Meng Jinghui objective research and discussion, in order to able to provide a reference to the development of China’s avant-garde drama, for the whole Chinese drama out of the woods provide a certain amount of experience. This article is divided into five parts, the first part is the introduction part, the paper defining the object and the brief in this paper, the current research situation at home and abroad. The second part of Meng jinghui avant-garde drama in the new century creation process simple, mainly from two aspects original drama and adaptation for text analysis. The third part of Meng Jinghui works to maintain the "avant-gardeing" in the new century were systematically discussed, mainly from the stage form, both relations, the actor’s acting force from three aspects, and combining with the concrete text for analysis. The fourth part mainly discusses the Meng Jinghui work during this period the "commercial" carries on the analysis of infiltration, mainly through marketing propaganda, the entertainment star to join, join the three aspects of vulgar factors. The fifth part is the conclusion part, the Meng Jinghui plays in this period made a summary on the gain and loss, and Meng Jinghui make thinking to the development of avant-garde drama in the new century how to provide a valuable experience to the Chinese drama development.