Emotional Expression In "Chinese Classical Dancing"

"Chinese classical dance" is based on opera dance,body rhyme as the basic form and sports law.As a marvelous integration of traditional Chinese culture and contemporary aesthetic characteristics,"Chinese classical dance”is of vital importance in the study of emotional expressions in contemporary works and in-depth exploration of traditional culture sentiments.Based on its historical and cultural background,artistic expressions,and course of development,the author takes the emotional inheritance,promotion,and development of "Chinese classical dance" as the research subject of the thesis.At the same time,the author takes the example of "Chinese classical dance" advocated by Li Zhengyi and Tang Mancheng whose ideas conform to modern aesthetic orientation,aiming to demonstrate the features,expressions and problems in the development of emotional expressions of "Chinese classical dance",and offer reasonable suggestions accordingly.The thesis is composed of three chapters.Chapter One illustrates the importance of emotional expression in "Chinese classical dance" and other dances.The author also makes a review of the formation of the recent school of diversified teaching system and the development of contemporary dance subject,respectively.Chapter Two focuses on the forms of emotional expressions in"Chinese classical dance" from two aspects:action language itself and its extension.The author,combining the language characteristics of this particular dance,attempts to explore the detailed forms of its emotional expression.At last,with the hope of improving the subject of "Chinese classical dance",the author demonstrates the significance of endowing "Chinese classical dance" with"sense of the times" based on the theoretical foundation of the development of modern consciousness of "Chinese classical dance",and puts forward practical suggestions.In summary,the classical dance advocated by Li Zhengyi and Tang Mancheng is not only the product of the times,but also a bridge connecting traditional Chinese culture and contemporary aesthetic characteristics.It has been evolved to an expression of traditional Chinese art with unique features.The thesis deeply explores the significance of emotional expression of "Chinese classical dance" in a new era from the perspectives of modern consciousness and cultural transmission.On the one hand,the author hopes to change the wrong performance concepts existing among some students who put techniques over emotions,and the bad behavior of inconformity between body and soul.On the other hand,the author intends to improve his ability to study and think about the performance and teaching methods of classical dance.