Multi-Dimensional Analysis Of The Aesthetics Of "Micro-era"

Based on the multi-dimensional macro perspective,this paper explores the new media culture signs constructed by the "micro-era" aesthetics in the present.The article takes the three academic dimensions of science and technology,aesthetics and cultural chemistry,and separately develops the technical background of the"micro-era" aesthetic development,interpretation of key features and postmodern cultural implications.The three layers of content are parallel and independent,and they are intertwined to form a multi-dimensional consciousness of the aesthetic study of the "micro-era".First of all,the introduction of the paper is mainly composed of three parts.The first is the definition of related concepts.On the basis of the overall perception of the "micro-era",the concept of "micro-era" and "aesthetic" is defined separately.Then,an overview of the development status of domestic "micro-media".Finally,the current research status of the "micro-era" aesthetics is reviewed,so as to clarify the purpose,significance and innovation of this paper.The first chapter analyzes the background of the new media technology of the"micro-era" aesthetic development from the scientific level.And,making a reasonable foundation for the study of the characteristics corresponding to the second chapter.According to the two research bases of the technical development concept and the technical regulations,the "micro" factors in the two parts of the Internet web2.0 technology and the self-media are respectively searched for.First,the web2.0 technology is used as the technical basis of the "micro-era".The "micro-" factor is analyzed from the "human-centered" technical concept and the "implo-explosive"communication technology system.Including network productivity of the "micro"and "quick" fission spread aesthetic style.Second,explore the pioneering role of the self-media represented by Weibo and WeChat to promote the arrival of the"micro-era".From the "self" attribute of the media,we can see the dual nature of the identity of the aesthetic subject,and analyze the technical standard of the "miniature"of the media from the level of individual income generation.The second chapter discusses the aesthetic aesthetic category "micro-era" of the main features,namely "self-shaping" and the three-dimensional "space-time compression" experience flu.Based on the technical analysis in the first chapter,the technical concept of "human-centered" and the technical system of "implosing implosion" respectively lead to the "micro-era" to meet the needs of individual self-shaping and the spatiotemporal nature of media in the field of transient propagation feature.On the one hand,the focus on exploring the act of "shaping self-image" may become an important part of the "micro-era" aesthetic.The main characteristics of the "micro-era" aesthetics are analyzed from two aspects:self-shaping content and self-shaping.On the other hand,under the influence of the"micro-era" media technology system,its space-time nature has undergone a"compressive" change,and the real space and the virtual space are constantly blending.In the aesthetic experience of "time and space compression",people perceive the leap of time limit and space distance limitation of new media technology.Based on the aspect of space-time compression,we can see the two-dimensional characteristics of immediacy and extensibility in the aesthetic experience of the"micro-era".The two coexist in the superiority of the "micro-era" media communication technology.The third chapter focuses on the analysis of the new media cultural connotation generated by the blending of the "micro-era" aesthetics and post-modern culture,and selects the two aspects of daily life aesthetics and youth subculture to theoretically connect,and then explore the "micro-era" value of aesthetic culture and its practical significance.Firstly,the social and practical significance brought about by the"fragmentation" of daily life aesthetics is manifested in the participation of everyone with grassroots nature and elite authority and the service support of daily life.Secondly,in the "micro-era" users with youth as the main force today,taking"micro-language" and "micro-game" as examples,respectively,analyzing the"micro-era" to help contemporary youth in the "micro-speaking new meaning"personality creation demonstrate avant-garde aesthetic ideals and achieve identity in the aesthetic revelation of "micro-games".The last part of the thesis is the content of the conclusion,which is mainly to reflect on the aesthetic culture of the "micro-era" from a dialectical perspective.Exploring the shortcomings caused by the large number of homogenization phenomena in the "micro-era",including the vulgar aesthetic taste,the pursuit of"entertainment to death" and so on,and then pointing out the problems of individual spiritual debris crisis.Regarding the social and cultural problems of these shortcomings in the "micro-era",whether it is at the practical level or the academic level,it is worthwhile to further think and explore,and strive to establish a reasonable"micro" network ecological space for it.