The Study On Southern Opera Baiyueting Anthologies

Baiyueting is one of “the four great southern operas”,occupies an important position in the history of ancient Chinese opera.In the Ming and Qing dynasties,there were many anthologies of Baiyueting.The anthology of southern opera Baiyueting is an important part of the development of Baiyueting.It is of great significance for the history of opera and the history of operatic tune to study its source,chumu and song,operatic tune.The author make a detailed comparison between each anthology and the existing edition,find there are two source of southern opera Baiyueting,Shide Tang version and Sixty operas version.Misconnection wire whip in HuiChiYaDiao,shilong get married in KunYiYaDiao,reunion in NanYinSanLai maybe Yuan version retained results in the folk.In the Ming and Qing dynasties,there were not only changes in the number of anthologies of the southern opera Baiyueting,but also commonness and individuality in the selected works.In wanli period of the Ming dynasty,the number of southern opera Baiyueting anthologies sharp increase,demonstrates that wanli period is the time node of North-South song each occupied a corner to South song dominated.Different anthologies selection chumu of Baiyueting revealed that the Ming and Qing dynasties on the quwen,plot of the common pursuit,the influence of political factors on the anthology,the attention of Qing dynasty to the humorous characteristics of opera.There is a close relationship between sounth opera Baiyueting anthologies and the labeled melody.In this paper,the status of the southern opera Baiyueting in the labeled melody has changed significantly,connect with its prominent feature of “all can accompany by Xiansuo”,it is further inferred that this mutation is closely related to the ups and downs evolution of Xiansuo Diao.In addition,the author from two aspects of the song into labeled melody and the annotation of labeled melody into anthology,the mutual interaction between them is demonstrated.Each anthology of southern opera Baiyueting belongs to its own operatic tune.It can be roughly divided into two systems: QingYangQiang and KunQiang.The south opera Baiyueting of QingYangQiang are adapted in gunchang,spoken parts in opera and lyrics.This paper introduces the similarities between new lyric and gunchang content of Shide Tang version and anthologies of QingYangQiang.The anthology of Baiyueting of KunQiang are mainly divided into three categories in terms of adaptation: stable and unchanging anthology,the anthology learned from QingYangQiang,the anthology in kejie qubai role arrangement taken place adaptation in a large degree,like ZhuiBaiQiu.