Study On The Art Of Dialogue Between The Monarch And The Minister In Zuo Zhuan

The dialogue form of "Zuo Zhuan" language is formed in a special historical and cultural background,which is formed in the cultural torrent of ideological liberation.It reflects the serious diplomatic activities of "Zuo Zhuan",the popular daily communication,the command,the exhortation,the To argue,to beg for mercy,to negotiate,to be entertained,is a vivid historical picture.This article examines the dialogue between the "Zuo Zhuan" monarch and minister through literature,politics,history,society and other aspects,and comprehensively uses the research method combining text combing and discourse analysis to pass the background of the dialogue between the monarch and the minister involved in Zuo Zhuan.The type of dialogue,the artistic expression of the dialogue between the monarch and the minister,the literary connotation of the dialogue between the monarch and the minister to explore and interpret the literary characteristics of the dialogue between the monarch and the minister of Zuo Zhuan,and further explore the literary value of Zuo Zhuan from all angles.The introduction firstly expounds the meaning of the dialogue involved in this paper,defines the concept of dialogue,and systematically reviews the research status and achievements of the domestic and international research related to this paper,as well as the research ideas and innovations of the selected topics.The first chapter begins with the origin of the dialogue between the monarch and the minister in the pre-Qin period,and combines the special background of the Spring and Autumn Period to understand the influence of society,culture and ritual system on the development of the dialogue between the monarch and the minister.The second chapter sorts and analyzes the types of monarch and ministerial dialogues in Zuo Zhuan through three ways,and deeply understands the interaction between monarch and minister in the Spring and Autumn Period and the expression of the dialogue between the monarch and the minister.The third chapter makes an in-depth analysis of the artistic performance of the Junchen dialogue from the perspective of dialogue language and dialogue style.Thedifference between the character dialogue occasion and the purpose of the dialogue makes the dialogue form a different style,which also becomes a bridge to further understand the Spring and Autumn spirit and the Spring and Autumn weather.The fourth chapter is an internal interpretation of the dialogue between the monarch and the minister from the political,historical and literary levels.It focuses on the literary features of the dialogue between the monarch and the minister in Zuo Zhuan.