Study On The Relationship Between Accompaniment Music And Vocal Music In Peking Opera

Accompaniment music and vocal music are the major components of Peking Opera music.The mutual relationship between the two is not only one of the significant factors of the formation of Peking Opera music,but also one of the essential conditions for the development of Peking Opera music.Therefore,in this paper,research on Peking Opera music theory is carried out through the pointcut--the relationship between accompaniment music and vocal music.Through the revelation of the different accompanying methods of accompaniment music to the vocal music,it reveals the relationship between the two as follows:singing is the main component and accompanying is the supplement.This thesis focuses on accompaniment music and vocal music.Firstly,the background of the origin and development of Beijing opera accompaniment music and vocal music,as well as the formation and development of Peking Opera orchestra.Secondly,through the compilation and analysis of a large number of Peking Opera arias,the two relationships between“accompanied by cavities”and“wrapped cavities"formed by Beijing opera’s accompaniment music and vocal ensemble were summarized and summarized.The characteristics of the art form,such as the formation of the symphony,and the formation of the vocal ensemble,as well as the melody,rhythm,etc.,and the formation of the art form of the vocal formation with emphasis on differences,also elaborates the existence of these two relationships.The art of dynamic change.Finally,on the basis of the first three chapters,we further discuss the aesthetic consciousness of Chinese traditional opera contained in accompaniment and singing,as well as the aesthetic convergence between the pursuit of personality and communion and the coexistence of artistic conception and charm.Through the research,it reveals that the accompaniment music and the vocal rendition in the art cooperation complement each other and the dialectical unified subject-object relationship refines and sums up the law of Beijing opera musical art.The exploration of the aesthetic connotation of the accompanied music and vocal lyrics has a certain influence on the development of Beijing opera musical art.