This article mainly studies the calligraphy art of the northern dynasty,especially the inscriptions,epitaphs,statues and cliffs of the northern Wei dynasty,and explores the origin,artistic characteristics and style of their calligraphy.The article is based on the background of the times,cultural environment and religion in the period of the Southern and Northern Dynasties.From many angles,the process of revival from the prosperity to the decline of stone calligraphy in the Northern Dynasties was revived.This paper analyzes the social reasons,artistic forms,artistic features,character and style of the stone carving calligraphy in the North dynasty,and explores the innocent and simple and natural artistic style advocated by stone carving calligraphy.After a comprehensive analysis of the carved stone art during the Northern Dynasties,the characteristics of the calligraphy styles of "Fang Zhengjun Li","Yong Rong Qi Jin" and "Gang and Softness" in the Northern Dynasty carved stone calligraphy were extracted,and the epitaph calligraphy was used as the basis.Explore how to integrate ancient methods into actual creations,and at the same time reflect on their own calligraphy creations,and how to draw food from epitaph calligraphy in calligraphy creations,integrate them,and promote their own calligraphy creation growth.And form a thinking on how to draw the law of carving stone in the creation of the Northern Dynasties. |