Research On The Northeast Regional Culture In Oral Stories

Art is a meaningful expression of human culture.Regional culture provides blood supply and nourishment for regional literature,and regional literature is the spiritual pursuit and identification of regional culture.Regional Literature in Northeast China has always had a profound literary tradition and cultural accumulation.The “Northeast Writers Group”,which was established in the 1930 s,and Mei Niang who is known as Eileen Chang,are both outstanding representatives of writers of modern literary history.Through excavating regional history and culture,regional writers seek cultural roots in national traditions and introspecting culture in the context of modernization,and they ultimately tend to accomplish cultural transcendence,cultural reconstruction and innovation in regional literature.This cultural transcendence,which is the driving force of the cultural reform in Northeast China,act as the spiritual support and intellectual guarantee for the revitalization of the old industrial base in Northeast China and the cultural basis for the continuous economic and social development in Northeast China.Liu Qing is famous for his unique regional writing and aesthetic character in contemporary Chinese literary circles.Up to now,he has written nearly a million words of long and short stories.Looking back on Liu Qing's literary creation,he always takes the northeast region as the starting point,describing the characters,society and history of the Northeast town,focusing on the daily and living world.This paper mainly studies the Northeast regional culture of Liu Qing's 2017 novel,Oral Stories.The innovation of Northeast regional culture requires us to introspect and examine the advantages and disadvantages of traditional culture,learn the Red Revolutionary Spirit in the Red Revolutionary Culture of Northeast China and absorb the rationality and science in the current advanced socialist culture.Only by deeply introspecting the past,facing the reality and looking forward to the future,can we comprehensively promote the innovation of regional culture in Northeast China.Therefore,the current research will comprehensively analyze and explain the text from three aspects: the traditional culture of Northeast China,the revolutionary culture of Northeast China and the modern “new culture”.The full text includes three parts-introduction,main body and conclusion.In the introduction part,Liu Qing's literature,creation experience and achievements are firstly introduced,and the Northeast regional literary culture is reviewed.Also,methods used in the current research and the significance and value of the Northeast regional culture research of Oral Stories are described and discussed.The main body part is divided into four chapters as followings: The first chapter summarizes the characteristics of Northeast regional culture and its influence on the creation of Oral Stories.The second chapter analyzes the implication of the traditional culture of Northeast China in Oral Stories,mainly from the aspects of the folk spiritual culture,the folk psychological culture and the folk custom culture of Northeast China.The third chapter explores the depiction of Northeast's revolutionary culture in Oral Stories,mainly from the aspects of shaping the image of revolutionary figures,the collision of revolutionary ethics and feudal ethics,and the transition from revolutionary culture to modern culture.The fourth chapter studies the perspective of the “new culture” of modern civilization in Oral Stories,which mainly includes green ecological culture,national spiritual culture and human destiny community.The conclusion part mainly involves introspection on regional writing from the perspective of regional culture.Based on the solid regional cultural traditions in Northeast China,deep text analysis of Oral Stories is conducted in order to reveal the literary value and contemporary significance of Liu Qing's works in a deeper and more comprehensive way.