Seeing The Spread And Evolution Of The Mulian Story In The Zhuang Nationality Area From The Perspective Of "Mulian Jing" And "Motangjiang Yijuan" Of Mo Scriptures Buluotuo

Mo scriptures Buluotuo is the religious text in the original religion of Zhuang,and it is the scripture used by those who host religious ceremony.Mo scriptures Buluotuo usually appear in the form of manuscripts in the folk,recording the long historical process of the Zhuang area and the various concepts formed by the Zhuang people in their daily lives.They are important materials for us to study the Zhuang culture and understand the characteristics of the Zhuang people.This paper compares and analyzes the texts of the Mulian story widely spread in the Han area with the texts of "Mu Lian Jing" and "Mo Tang Jiang Yi Juan" in the "Photocopy of the Zhuang Nationality Mo Scriptures of Buluotuo".Concerns the process of the spread and evolution of the Zhuang area,and on the basis of this,further discussed the cultural characteristics of the Zhuang ethnic group reflected in this rheological process and its impact on the Zhuang area.The basic research methods in this paper are literature collection and literature comparison.It is divided into three parts.The first part gives a detailed introduction to the origin,development and alienation of the Mulian story,and summarizes the general situation of the story of the Mulian story.The widely circulated Mulian story of the Han nationality was introduced to China along with Buddhism.The "Ullambana-sutra" was the source of its transformation in China.The public's admiration for the concept of filial piety revealed in the story of Mulian promoted its spreading speed in China.With the development of time,two manifestations of Dunhuang Bianwen and Mulian Opera were formed in the folk.It is precisely because of the extreme admiration of the concept of filial piety that the story of Mulain was alienated during the Tang Dynasty and formed the verse of the "Blood Basin".Female childbirth is both a feminine virtue and the root cause of child's repaying.But the root cause of the virtue is also the reason why women fall into hell.This is actually a paradox and the cause of its disintegration.The Taoist verse "Blood Lake" is also formed on this basis.Therefore,the story of the Mulian circulating in the Han area actually consists of two parts:part of the story,which was developed from "Ullambana-sutra".It mainly contains the "Ullambana-sutra" and its related versions,varied textsfound in Dunhuang and Mulian operas,etc.This part is mainly to praise the mother's fertility,to educate children to filial mother.The other part is the alienation of the story,mainly including the "Da Zang Orthodox Blood Basin" and its rheological text.Although this part of the content also emphasizes filial piety,in fact it has dispelled the concept of filial piety,and it has produced a paradox that women's childbirth is both a feminine virtue and the reason for going to hell.The Mo scriptures Buluotuo is a scripture used by the Zhuangnationality's original religion.It is rich in content and records the abundant cultural history of Zhuang.The second part mainly summarizes the story of the Mulian in "Photocopy of the Zhuang Nationality Mo Scriptures of Buluotuo" and analyzes the internal relationship between the two verses.This chapter first introduces the general situation of the "Photocopy of the Zhuang Nationality Mo Scriptures of Buluotuo",explaining its relevant situation and main contents.Then it analyzes the main contents of the "Mu Lian Jing" and "Mo Tang Jiang Yi Juan",and their internal connection.Absorbed many elements in the text of "Blood basin","Mo Tang Jiang Yi Juan" shows a high degree of similarity in the text content;while "Mu Lian Jing" inherits the theme of filial piety of the Mulian story.In fact,the two verses absorbed part of the Mulian story in the specific content elements and the main purpose,thus completing the acceptance of the cultural connotation of the Mulian story.The third part of the article mainly discusses the similarities and differences between the "Mu Lian Jing" "Mo Tang Jiang Yi Juan" and the Han nationality's story.This chapter first discusses the cultural connotation of the Han nationality's story from three aspects: filial piety,taboo and death.On the basis of this,it discusses two verses in "Mo Jing","Mu Lian Jing","Mo Tang Jiang Yi Juan" and its' aufheben towards the story of Han nationality.The complete abandonment of the plot of the Han nationality's story only contains the preservation of the vague character of the mother,thus the text of "Mu Lian Jing" follows the dark line of the emotional extension of the relatives of the deceased,making it an emotional carrier that spans space and time.The absorption of the Han nationality's story in "Mo Tang Jiang Yi Juan" focuses on the background of the story,the plot,and the characters.It abandons the main idea of the Han dynasty's filial piety concept and adds the character of Buluotuo whitch is the gods with Zhuang characteristics.The addition also contains the concept of "Blood Pond" whitc is related to the Han "blood pot" but has different meanings,and a series of plots reflecting family ethics.