Research On The Expression Of Violence Aesthetics In Films In The Era Of Consumption

How art should develop in each era has always been one of the issues concerned and discussed by people.Consumption the era have entrusted to the particularity of art production is different from other times,the particularity and even changed the way the development of the art production,by violence aesthetics as an example,the contemporary aesthetics more violence in movies as the carrier,the violence in the movie aesthetics for showing violence inherent in the "ugly" at the same time,also endowed with violence "beauty",however,whether both of the perfect fusion in the movie? Can film eliminate the negative attribute of violence itself?How should movies be innovative in showing violence? Does violence aesthetics in movies have value in the consumption age? These problems keep emerging with the development of The Times.To solve these problems,it is necessary to study the expression of violence aesthetics in films in the consumption era,analyze the current development status of violence aesthetics,think about the future development of violence aesthetics in films,and finally provide ideas for the production and development of contemporary art.Firstly,starting from the social background and theoretical basis of art production in the era of consumption,guided by the theories of Marx,Benjamin and adorno,this paper discusses the production,reproduction and performance of art in the era from the theoretical level,especially the particularity of film.Secondly,it briefly expounds the psychological basis of violence aesthetics.The emergence of violence has the inevitability of psychological and physiological roots,which enables people to accept and identify with violence aesthetics.In the era of consumption,the increase of social external pressure makes people's emotional and aesthetic needs nowhere to be placed,which gives rise to people's inner primitive desire.The presentation of violence in the film brings peoplethe most shocking experience in the most intuitive way,alleviating and releasing people's inner restlessness,anxiety and nowhere to vent.The violence aesthetics in the film not only gives people catharsis,but also has its own unique aesthetic value.The display and pursuit of violence is not only the expression of the diverse development of aesthetics,but also directly to the heart,reflecting people's yearning for freedom in the virtual world.Finally,the paper focuses on the representation of violence aesthetics in films in the age of consumption.Due to the particularity of film expression forms,the development of violence aesthetics in films is also different in each period,especially in the era of consumption.The expression of violence in films has gradually changed from showing the ugly of violence to pursuing the beauty of violence,and its expression forms and content plot Settings have also been constantly updated and improved.Violence is not only a form of expression.The uglification or beautification of violence is aimed at helping the audience to get a better aesthetic experience.Although in the era of commercial consumption,people are still pursuing a distinctive and better expression of violence.On the other hand,the frequent appearance of violence aesthetics in movies makes it difficult for people to completely separate it from real life.People are easy to get used to violence and be violent,and even become insensitive to violence in real life.This is the possible negative impact of violence aesthetics in movies in the age of consumption.Therefore,violence aesthetics must be reflected and changed,which should start from the inside first.Only with a correct understanding of violence aesthetics,can it show more beauty to the audience in various forms,instead of the transmission of incorrect values and negative effects.The reproduction and expression of art production in the era of consumption not only has strong commercial color,but also accords with people's primitive and instinctive desire for violent catharsis.The violent scene in the movie is not a mechanical copy of the real violence,but an aesthetic reproduction with poetic processing and artistic processing,which conceals and dilutes the bloody,harmful and horrible aspects.Such representation,both by way of ugliness and broaden people's aesthetic object,and with horror,shocked the aesthetic experience of dredge,drain the people hidden in the deep heart of the original damage,enriched the aesthetic experience of people,and copy the means of violence,pointing to the human nature hidden deep in the earth and heaven,and then thinkabout the human nature and reality of complex and darkness.The study of violence aesthetics in films can provide ideas for the reflection of contemporary art production and help us explore the better development of art.