The Carnival Of Violence-on Mo Yan’s Violent Narrative

This thesis is consitituted by the preface, conclusion and four chapters, which isto re-examine the main part of Mo Yan and his literary works, and reveal the nature ofthe violence, to classify the violence, mainly from the point of view of the violentnarrative, then interprate the classification of Mo Yan violence narrative, thecomposition of Mo Yan violence narrative and its influence on readers. The violencenarrative is not a new conception, but on the basis of previous positive-or-negitivestudies, it is neutral to interprate Mo Yan’s violent narrative.During the preface, there is a summary for the background and the previousstudies; and the Research background, research directions and research motivation hasbeen introduced breifly in the conclution. In the thesis,The first chapter is the analysis of contemporary violence and violent narrative.In the first quarter, violence has been deconstructed from the three aspects ofaesthetics, culture and psychology, which on exactly will be identified what will beviolence; Explore reality of violence in contemporary China in the second quarter,including acts of violence and verbal violence, experience violence from that bloodyexamples cruel; Literature violence in the third quarter, approximately divided intothree types, avoiding violence, facing violence, and the part between the both, whichis used to comprehend the attitude of the writers facing violence; in the fourth quarter,an analysis, which was Seeking common ground while reserving differences aboutthe second and third, was made to find out the inextricably Contact between thereality violence and Literature violence.The second chapter is for interpretation of violence description of Mo Yanliterary works. The first section includs expounding Mo Yan phenomenon andanalyzing the background and reasons for the phenomenon; working on both theMoyan language of violence and content of violence at the very begining of thesecond quarter, the opening of violence, metaphorical translation violence and bywine God spirit favored text areas are attributed to the language of violence, theviolence of the content is subdivided into official violence and civil violence, which isdeconstructed by classification, and analyzed relatively.The third chapter aims to explore the formation of Mo Yan violence narrative. In the first quarter, starting with the violence that associated with the ancient Chinesetradition, then the revolutionary violence of the legalization of narrative, theAnti-Rightist Campaign, the ravages of the Cultural Revolution, the people’s hearts,and the era of reshaping the value system are constituted social reason of Mo Yanviolence narrative; in the second quarter, the contruction of Mo Yan violence narrativeis analyzed with personal factors, which is mainly starting from the Mo Yan’s growthexperience. Lacking of childhood memories and emotions,"resentment" with thehomeland, military life feelings, and the pain of the Cultural Revolution, are thereasons to bring up a narrative of violence about Mo Yan in today.The fourth chapter is to illustrate of two aspects from Mo Yan violence narrative,due to the focus on the reasons. The first section is the analysis about the influence ofthe violence narrative on writers and literary works; and the impact on the readers inthe second quarter, divided into positive and negative, positive performance allowsreaders catharsis pent-up emotions in the violence narrative, the negative will makesome form of violence values on readers, which will even make some of the violence,with the ending issue of "who is going to soothe our fragile hearts?" Scream.