A Study On Tragedy Consciousness Of Mongolian Folk Literature

Tragedy consciousness is one of the important aesthetic consciousness of the Mongolian nationality,which runs through the development of the aesthetic consciousness of the Mongolian nationality.Taking folk literature as the research object,this paper analyzes the aesthetic form of tragedy consciousness in different development stages from the perspective of Mongolian social development and people's ideological changes.The first chapter of this study discusses the relationship between human and nature and its ideological changes under the social background of the dominant position of nature and the scarcity of living materials for the Mongolian people in ancient times,presenting the "compassion" consciousness under the influence of shamanism.The consciousness of "compassion" shows in the folk literature the life attitude of "sorrow without injury,sorrow without complaint" when people get along with nature,and the life philosophy of "returning good for evil" when people get along with animals,"do not do to others what you do not want them to do to you".The second chapter discusses the conflict between man and society and its ideological changes under the feudal system in the middle ages.This contradiction is reflected in the folk literature as the power society and the war and other related themes,showing people's resentment of the "grief and anger" consciousness.The third chapter examines the modern Mongolian people face death,not afraid of sacrifice "solemn and stirring" consciousness.Under the change of the old and new social systems,the long-accumulated contradictions burst out and the Mongolian people began to rebel.This process of struggle is reflected in folk literature,showing people's indomitable struggle,perseverance and courage of the "solemn and stirring" aesthetic consciousness.In the process of the evolution of tragic consciousness,each aesthetic form is not abruptly stop with the development of society and the change of people's thoughts,but is fused into the aesthetic form in the next stage with the development of folk literature.Therefore,the Mongolian folk literature has formed the tragedy in the dynamic transformation.