Research On Ming Cho Lee's Stage Art Design From Multi Perspective

Stage art,as an important part of stage,its task is to create performance environment and the external image,to create an atmosphere of stage,stage art creation of the role of the stage is self-evident.Ming cho lee is an outstanding artist,he has rich experience in the theatre stage design,conception and design always can get directly to the core of drama and performance,the form of the works,color,style,a unique scene arrangements.Ming cho lee's design is unique,innovative,he is always beyond the technological level and gives stage design to deep meaning,again and again to work his magic theatre.In this article,the author embarks from the multiple perspectives,from the vision,field of vision,depending on the four aspects of the Ming cho lee design experience and the stage design of different style,under the horizon research and apparent end and regards,boundary research including basic design idea,light and stage design,the relationship between design style change stage of research and innovation.His design with atmospheric texture design,bright color and rich decorative key to highlight the performance form and spatial relationships,to liberate the stage design language.In his design,for wood and metal elements,created in the form of sculpture design,formation of the writing of "poetic realism".Article discusses Ming cho lee from the stage design original ideas to deep stage of concept design,mining design of brewing to the application of the specific performance.Through multiple perspectives on the study of Ming cho lee stage design,summed up his design's impact on the modern stage art design innovation.Article aims to draw the creative thinking from Mr Ming cho lee the choreography,all-around,deep mining stage design ideas,constantly subversive design thinking,to explore how to stage the combination of functional and aesthetic better.Through the research,how to solve in the design stage expression and appeal referred to an unprecedented height.