Research On Nanyang Dadiaoquzi From The Perspective Of History And Culture

The Dadiaoquzi is also known as Guziqu,which is one of the most important songs in Henan Province.It has long history,rich singing patterns and simplistic style.Moreover it is composed by both ability and political integrity.The content is extremely rich,which is rare in Chinese Quyi music and also is an incredible example of the outstanding cultural heritage in the central plains.The academic pursuit of Chinese national music and Chinese folk music is both indispensable and vital.Therefore,it is also of historical and artistic value.On June 7,2008,this Dadiaoquzi was chosen to be in the second list of National Cultural Heritage Protection List.This paper is based on the previous study of Nanyang Dadiaoquzi,combined with the ethnomusicology,music anthropology,music and Chinese dialects study theory;such as an in-depth interview,on-the-spot investigation,combining field and literature material,all the while paying attention to the major piece of historical rheological process.The traditional state,put in Nanyang tune in Nanyang area to study the history and culture of the society as a whole system.Through interviews with living artists,inheritors and composers,we have recorded common Qupai,repertoire,songs and lyrics.The significance of this paper lies mainly in the analysis of new music materials as well as the supplement to existing data and the accumulation of local music.Through the field investigation,it is found that its development is worrying.It is hoped that through the author's modest efforts,more people can understand and care about the Dadiaoquzi,and some suggestions are put forward for the development prospect of all Dadiaoquzi.The arrangement and research of Nanyang Dadiaoquzi is of great practical significance to the research of local traditional music culture,national folk music and opera.The paper is divided into seven parts: abstract,introduction,four content chapters and conclusion.The introduction mainly includes four aspects: the basis and innovation of topic selection,research summary of topic selection,field work investigation and research methods.The first chapter puts the Dadiaoquzi into its living background and historical and cultural environment to study and reveal the relationship between Nanyang Dadiaoquzi and the living environment and its development.Chapter two analyzes the artistic form of Nanyang Dadiaoquzi in four aspects.On the basis of systematical arrangement of the examples,this paper analyzes the music system,language features,the relationship between cavities and words,the forms of performances and other artistic features of The Major Tunes.Chapter three explains and analyzes the ideological connotation and functions of Nanyang Major Tunes.The fourth chapter of Nanyang in music field presents the current investigation,through summaries diversified carriers,the product of inheritance and innovation and development to make further reflection and conception,at the same time for people to understand more comprehensive system,know the present situation of the music class non-matter cultural heritage,so as to better and more comprehensive on the protection and inheritance.