A Study On The Preservation And Inheritance Of Da Diao Qu Zi In Nanyang Of Henan Province

Da diao qu zi is a kind of local quyi form which grows and develops on the deep soil of the central plains culture.Da diao qu zi was popular in henan province in the early stage and is now active in Nanyang area.There are many music venues in Nanyang area,and the playing and singing activities of Da diao qu zi are concentrated.In the voluntary inheritance activities of quyou,Da diao qu zi still maintains its original artistic charm and exuberant vitality.For nearly four years since 2016,the author has been immersed in the field of tunes in major,maintaining a teacher-friend relationship with quyou,and actively learning the singing of tunes in major and the playing of Ban tou qu.In the process of playing and singing,the author has touched the artistic essence of Da diao qu zi and fully realized the artistic charm of the major melody and the differences between Chinese and western music systems.From the perspective of musicology and sociology,this paper,starting from the artistic ontology of major melody,combines with my own experience of learning to sing and play major melody.On the one hand,it objectively describes the current situation of survival and inheritance of Da diao qu zi in nanyang region.On the other hand,through the study of the tune in major,the system characteristics of Chinese traditional music are further explored,and the artistic value and practical significance of traditional music are affirmed.This paper consists of three parts: introduction,body and conclusion,and the body is divided into four chapters.Introduction: this paper introduces the connection between the author and Da diao qu zi,and the charm of Da diao qu zi from the appreciation of its vivid performance.By visiting the field of Da diao qu zi,the author has a relatively comprehensive understanding of the current situation of Da diao qu zi in Nanyang region.Combining with the existing research literature,the author has established the research idea ofcombining the current situation of the survival and inheritance of the major melody in nanyang region.The first chapter summarizes and introduces the history,culture,geography and human environment of Nanyang,the soil of the growth and prosperity of Da diao qu zi,and highlights the profound cultural accumulation of Da diao qu zi.As a popular form of quyi,Da diao qu zi is developed on the basis of the eclectic music of the central plains.The second chapter takes the recording of the "qulin conference" of Da diao qu zi association as a case study to objectively describe and record the actual performance of the "qulin conference".In addition,combined with the author's learning of sanxian and singing Da diao qu zi,the author studied the oral transmission mode of Chinese music system.Through the field investigation of Da diao qu zi field,this paper mainly introduces the main tune field such as Hu yunrong's family,Xie qin-dong's family and Dengzhou cultural center,and probes into the inheritance status of the major tune field.The third chapter studies the art nouveau of major melody,and discusses the unique artistic features of major melody as a quyi art from the aspects of singing form,accompaniment instrument,common qupai,special qupai,Ban tou qu and the characteristics of song lyrics.Among them,the unique accompaniment method of "peng ba ban" in Da diao qu zi,"yao shuaner","jie qiang","te se yin","ji qu" and the use of "dialect" in the tunes are the most prominent features of Da diao qu zi.The fourth chapter is the cultural thinking of Da diao qu zi,first of all,the inheritance of the major tune of the transition.Secondly,from the comparison of the characteristics of henan quju opera and sanxian shu,I can feel its unique artistic aesthetics,and realize that Da diao qu zi is a way of expression of traditional Chinese culture.Then,in view of the "ritual" culture and the "way of neutralization" of the major tune,the author discusses the relationship between the major tune and the traditional culture,describes the humanistic care the author felt in the field of the tune,and affirms the realistic significance of Da diao qu zi.Finally,it analyzes the problems existing in the inheritance and development of Da diao qu zi and puts forward the countermeasures.The conclusion is the author's discussion on the research course of Da diao qu zi.Through the study and learning experience of Da diao qu zi,the author has experienced that the participatory learning is easier to thoroughly understand the artistic ontology and cultural connotation of Da diao qu zi,and the contact with Da diao qu zi is actually a process of touching the traditional culture.It also emphasizes the cultural value and practical significance of Da diao qu zi,and puts forward that the traditional quyi has a broad development prospect in the contemporary era under the background of promoting cultural confidence.