A Study On Aesthetics In Daily Life And Family Ethics In Hirokazu Koreeda's Movies

Hirokazu Koreeda As a director of Japan's Cenozoic Era,He was the representative director of the Japanese New Film Movement in the late 1990 s,It is also the fourth Japanese director to win the Golden Palm Award at the Cannes International Film Festival in the history of Japanese film.He persisted in the expression of family movies for a long time,Most of his film creation revolved around daily life and family.This paper takes ten family movies of Hirokazu Koreeda as research texts,and discusses them from two aspects of daily life aesthetics and family ethics,trying to turn from image aesthetics to cultural interpretation.The study of aesthetics of daily life in movies mainly centers on the three dimensions of space-time construction of daily life,aesthetics of daily life and criticism of daily life.This paper analyses the presentation and image significance of daily life in movie expression from the perspective of film history and aesthetics.On this basis,it makes an interpretation and analysis of the text by quoting the daily life theory of Henry Lefevere,a French philosopher.Trying to excavate is the content and significance of Zhiyu's aesthetic thought of daily life in movies.This article is divided into four chapters.It is the daily life aesthetics and family ethics in Hirokazu Koreeda 's movies that are deeply explained in the context of "the daily life space-time,the daily life aesthetics,the daily life criticism and the family ethics tradition of Japanese movies".The first,second and third chapters take ten Family-Themed films of Hirokazu Koreeda and director from 1995 to 2019 as image texts,and summarize three stages of aesthetic construction of daily life in Hirokazu Koreeda and films: routineness,aesthetics and criticism.In the first chapter,from the perspective of film ontology,it discusses the construction of daily life scenes by narrative time and space in film language.Chapter 2 quotes Henry Lefebvre's theory of daily life to analyze the content of the film,explaining that Hirokazu Koreeda and the aesthetic factors of daily life such as emotional return,festivals,miracles and moments in the film are concrete manifestations,and discussing the means of realizing the artistic and poetic expression of daily life in the film.Chapter 3 focuses on the critical consciousness of Hirokazu Koreeda and the film,and explores the social dimension beyond the aesthetics of daily life.Chapter Four,based on the analysis of the history of Japanese films,explores the historical origin and cultural factors of the formation of daily life aesthetics and family ethics in Hirokazu Koreeda and his films.Firstly,it discusses the construction of daily life aesthetics in the films of former directors Yasujiro Ozu and Yoji Yamada.Then it will compare and analyze the daily life aesthetics of Hirokazu Koreeda with the evolution of the two directors.It will discuss the presentation of family ethics in Hirokazu Koreeda and the films and the inheritance and development of family ethics tradition in Japanese films.Through the analysis of the aesthetics of daily life and family ethics in Hirokazu Koreeda 's movies,we can get a more comprehensive understanding of the creative ideas and connotations of Hirokazu Koreeda 's movies,and thus get inspiration about the expression of daily life in domestic movies and the creation of family ethics movies.