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Research On The Structure Relationship Of Tan Dun's Film Music "Shadow And Sound"

Posted on:2020-01-13Degree:MasterType:Thesis
Country:ChinaCandidate:J XiaFull Text:PDF
GTID:2415330572488516Subject:School of music and dance
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This paper takes Tan Dun's three film music as the research object,takes the music creation technique analysis as the foundation,through the detailed analysis and research,grasps the Tan Dun film music creation general style characteristic and the difference writing thinking;On this basis,through the analysis of the narrative structure of the film image,the music production principle of the three films is further clarified,and under the basic principle of the integration of the structure of "shadow and sound",This paper makes a comparative summary of the basic characteristics of the structural relationship of the three films Shadow and Sound,and sums up and expounds the basic characteristics of the structural relationship of the three films.This paper consists of four parts: the first part(introduction)introduces the previous research work and results from the perspective of the method of film music research,and introduces the basic structural relationship in film music as the starting point from the theoretical point of view.And make a brief introduction to the three representative works of Tan Dun discussed in this paper.The second part(chapters 2 ~ 4)discusses and expounds the characteristics of music creation,music structure,music form,narrative structure,drama tension and other contents and interrelations in the specific plot of the three films.This paper reveals the distinct practical characteristics of technical theory in film music.The third part(Chapter 5)focuses on the study of the structure of the three films in Tan Dun's music,including the three levels of film soundtrack,structural analysis and functional analysis.This paper compares the similarities and differences of the creative techniques embodied in it,and then reveals the basic characteristics of the music morphology and structure of the three films.The fourth part(conclusion)through the original structural design of the three films,furtherexpounds the close relationship between the structure of "shadow sound",the narrative logic of soundtrack runs through,the consistency of narrative content and the comparative factors of the theme of soundtrack.This paper summarizes the corresponding relationship between the unified factors and the clues developed under the core narrative logic,and clarifies the fundamental principles of the structural integrity of the "shadow sound".
Keywords/Search Tags:Movie music, Audio-visual structure, Tan Dun, Crouching Tiger Hidden Dragon, Night Banquet, Hero
PDF Full Text Request
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