Analysis Of Dance Creation Practice Of Diqing Tacheng Reba Dance As Carrier

The elements of the formation of Reba art had been formed as early as the tenth century A.D.and the Kagyu monk Milarepa and his disciple Redomba Dojizaba played a vital role in the formation and development of Reba art in the eleventh century and beyond.In the thirteenth century A.D.,Reba art had developed into a comprehensive performing art of speaking,singing,dancing and acrobatics.The earliest hot Ba dances originated in Changdu,Tibet,and mainly spread in Kangba Tibetan area,as well as Tibet's Naqu,Ali and so on.The Tacheng Reba,which is popular in Diqing,has a solemn,solemn and elegant religious ritual style.It is also the most traditional Reba dance in folk Reba dance so far,so it is called classical Reba or traditional Reba of sacrifice.Compared with the widely circulated traveling Reba and the skilled Reba in Tibet,their dancing context and identity are quite different,and their corresponding dancing movements and vocabulary styles are also different from those in other regions.At present,the practical research on Tibetan Reba is mainly focused on the skilled Reba and the skilled Reba.Few studies are related to the practical creation of Tacheng Reba.The author will adopt folklore,anthropology,and vocabulary.Artistic anthropology,dance ecology,dance morphology and other related knowledge.From the perspective of practical compilation and research,this paper explores the dance context and the use of body language props in Tacheng Reba dance art from the perspective of creativity.